This time around, we shall cover Best Lens For Sony A7Iv Portrait. Obviously, there is a great deal of information on Best Lens For Sony A7Iii on the Internet. The fast rise of social media facilitates our ability to acquire knowledge.

Best Sony Lenses in 2022: Ultimate E-Mount Guide-related material is also connected to best portrait lenses for sony a7iv and Best Lenses For Sony A7 Iii. As for further searchable items pertaining to Best Zoom Lens For Sony Alpha 7 Iii, they will likewise have anything to do with Best Sony portrait lenses of 2022. Best Lens For Sony A7Iv Portrait - Best Wide Lens For Sony A7Iii

229 Shocking Facts About Best Lens For Sony A7Iv Portrait | Cameralabs Camera reviews, lens reviews, photography guides

  • According to Rodger Cicala at LensRentals.com the Sony FE 24mm F1.4 GM is the sharpest 24mm prime lens ever made. - Source: Internet
  • Sigma’s Art lenses have an uncompromising design ethic that goes all out for enabling artistic flair and creativity, no matter if they end up being quite large and weighty. The 24-70mm f/2.8 standard zoom for Canon and Nikon SLRs is typical of the breed but the new ‘DN’ version for Sony mirrorless cameras is more of a complete redesign than a simple tweak with a different mounting plate. It’s also about 200g lighter, making it more manageable on a svelte Sony mirrorless body, but is still pretty weighty at 830g. - Source: Internet
    1. Sigma 24-70mm f/2.8 DG DN Art Cheap at half the price Specifications Focal length: 24-70mm Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 88 x 125mm Weight: 950g Today’s Best Deals Check Amazon (opens in new tab) Reasons to buy + Exotic optical path and build quality + Half the price of Sony’s G Master lens Reasons to avoid - It’s no lightweight at 830g - Distortion/vignetting can be noticeable - Source: Internet
  • Telephoto lenses are typically the hallmark of sports and wildlife photographers. Sports photographers will often work with lenses up to 400mm and sometimes longer whereas wildlife photographers prefer the longest glass possible depending on what they are shooting. Here are the best telephoto lenses for the Sony a7R IV. - Source: Internet
  • With a focal range of 200-600mm and a maximum aperture of f/6.3 at 600mm this lens will help you to get closer to wildlife than ever before. If 600mm is not long enough then you can also add the 1.4x or 2.0x teleconverters. - Source: Internet
  • Of course with a lens that compact, there are some trade-offs in performance. For example, the lens only has an initial aperture of f/4-5.6. It isn’t protected against dust and splash water, and there are certainly better lenses in terms of image quality. - Source: Internet
  • Just as with conventional SLRs, independent manufacturers have kept an eye on Sony’s progress and started designing prime and zoom lenses that compete with own-brand optics. Some of the latest from the likes of Sigma and Tamron deliver similar or even better performance than Sony’s own lenses, while undercutting them for price. Let’s take a closer look at the best buys to suit a range different requirements. - Source: Internet
  • The Sony Sonnar T* FE 35mm F2.8 ZA is a small beautiful lens that really excels at environmental portraiture and street photography. This 35mm f/2.8 lens is very sharp even when wide-open at f/2.8, bokeh is very pleasing and distortion is very well controlled. - Source: Internet
  • Try the Sony FE 28mm F2.0, one of the most compact and budget-friendly lenses you can get. It’s great for wide-angle photography of landscapes and everyday scenes, and an overall brilliant prime lens too. - Source: Internet
  • The lens is sharp across the frame even when wide-open at f/2.8. It’s well built and despite its heavy weight (1480g) it feels well balanced. The autofocus motor is fast and silent and it rarely misses focus. - Source: Internet
  • This lens delivers excellent sharpness from the center of the frame right to the edges even when wide open at f/1.4. Flare control and chromatic aberrations are very well controlled and the build quality as we have come to expect from GM lenses is first class. Bokeh is deliciously creamy and the lens is of course weather sealed against dust and moisture. - Source: Internet
  • Until now if you wanted a 24-70 F2.8 lens then you either needed to rob a bank to purchase the Sony 24-70 F2.8 GM lens or sacrifice a little image quality and autofocus performance by purchasing the Tamron 28-75 F2.8 lens. - Source: Internet
  • Portrait photography requires serious skill. You need to establish a relationship with your subject, choose the most flattering light, and nail that perfect eye focus. Choose the wrong lens, though, and none of that matters. If you’re seeking the best Sony lens for portraits, it’s easy to hone in on the G Master glass. It’s undeniably beautiful, but it’s also big and expensive. - Source: Internet
  • Meanwhile, a wide aperture is recommended as it allows you to focus just on the subject and blur out any distracting background elements. In portrait photography, it’s important to draw the attention of viewers to the subject, including their eyes and facial features. If you are planning for a romantic getaway with your significant other a portrait lens would be a great gear to pack for capturing those sweet and candid moments! - Source: Internet
  • Planar – Designed in the late 1890s, planar lenses have a symmetrical design, with the aperture placed in the middle of the elements. This allows the lens to stay sharp from center to corner at wide apertures, all with little chromatic aberration. Almost every 50mm lens has some element of Planar design in it - Source: Internet
  • When it comes to wide angle zoom lenses, the selection is fairly limited. Sony has a total of three lenses on offer, which are very good but unfortunately also very pricey. Then there’s also one from Tamron and another from Sigma. - Source: Internet
  • With an aperture of f/1.4, this lens can perfectly shoot the starry night sky without noise or grain. Meanwhile, the wide 24mm focal length lets you capture the entire scene with razor-like sharpness. - Source: Internet
  • This lens is tiny yet still features a fast f/2.8 aperture, although the build quality is good it’s not quite on par with the Sony 35mm F2.8, for the price some sacrifices do need to be made. - Source: Internet
  • Any type of lens can be used to capture people, which means they are technically portrait lenses. But specific focal lengths can produce more flattering images. Shorter ones (35-55mm) are great if the backdrop is important to the story you’re telling, while longer focal lengths of 85 to 135mm can be great for general portraits. - Source: Internet
    1. Sony FE 16-35mm f/2.8 GM The ultimate wide-angle zoom lens for Sony photographers Specifications Focal length: 16-35mm (24-52.5mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: 82mm Dimensions: 89 x 122mm Weight: 680g specifications Storage Size 32GB - 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Stunning optics + Fast and silent AF Reasons to avoid - Expensive - Heavy - Source: Internet
  • Finally, think about how much you’re willing to spend for a camera lens and what you really need. If an f/2.8 can work well for your photography as an f/2.0 version, there’s no reason to waste the extra money. - Source: Internet
  • The a7iii in itself is quite small and compact, considering it is a mirrorless camera. If travel and portability is important for you, then you might not want to buy a lens that adds too much to the weight you have to carry. Besides, this will completely nullify the size benefits of a mirrorless in the first place. And it’s always smart to pack light when you’re planning to travel. - Source: Internet
  • Lenses made for full-frame cameras, on the other hand, have an image circle that’s larger than the APS-C sensor. As a result, full-frame (FE) lenses work just fine on an E-mount APS-C camera, though images will be considerably “zoomed in.” The camera will only show you the part of the image that the lens covers. - Source: Internet
  • I have used this lens for lots of landscapes purely because I love the 12-24mm range. One of the negative aspects of this lens is that you can’t use ‘normal’ filters on it. It doesn’t have a screw thread and you can’t attach 100mm square filters. You will have to buy a separate holder and use 150mm+ filters. - Source: Internet
  • Another interesting wide angle zoom option is the Tamron 17-28 f/2.8. This lens is very light and sharp but lacks range on both ends. It’s a compromise but not a bad choice at all. - Source: Internet
  • The Sony Sonnar T* FE 55mm f/1.8 ZA lens is a very versatile lens that creates a different look versus a 24mm or 35mm because of its narrower field of view. It’s an excellent lens for street photography providing you don’t mind its size. - Source: Internet
  • Another excellent portrait lens you can get is the Sony 90mm F2.8, which also happens to be our top pick as the best macro lens for Sony a7iii. It’s user-friendly, has brilliant autofocusing, and perhaps the sharpest Sony lens to date. - Source: Internet
  • Although telephoto primes are typically the gold standard for professional portrait shooters, a fast-aperture zoom is a versatile lens that is a great option for shooting portraits on the go. This 24-70mm has a constant aperture of f/2.8, a 9 blade circular aperture for beautiful bokeh and two aspherical elements to reduce aberration in images. The wider field of view makes this zoom lens an excellent choice for shooting portraits at events or on the street, but also a solid option for environmental portraits. - Source: Internet
  • Designed to appeal to those shooting sports, wildlife and action with fast cameras like the Sony a6600, the 70-350mm f/4.5-6.3G OSS super-telephoto lens is an exciting new addition to Sony’s APS-C range. It promises high optical performance, with built-in optical image stabilisation, plus typical G master lens sharpness from corner to corner. Offering 5x optical zoom, the lens is still relatively lightweight and would be a great addition to any kit bag. - Source: Internet
  • It’s difficult to find a good macro lens that also works well for portrait photography. If this combination is something that interests you, you can’t go wrong with this 90mm F2.8 from Sony. - Source: Internet
  • The lens is ideal for landscape photography. The image quality is outstanding, even with an open aperture. The lens is also protected against dust and splash water. - Source: Internet
  • This fairly chunky optic nonetheless only weighs in at a pretty modest 371g thanks to a predominantly plastic construction, but balanced really nicely on the Alpha A7R II we tested it with. The design is very clean - so much so that there’s no distance or DOF scales, but those niggles aside, it’s a cracking portrait lens. Focusing is nice and brisk while the nine-blade diaphragm delivers to really beautiful bokeh. Optically, there’s little to fault it on either - it’s incredibly sharp at the centre of the frame through the aperture range. If you can’t justify one of the more exotic Sony portrait lenses, this is a great option. - Source: Internet
  • As usual in ultra-wide lenses, the lens hood is an integral part of the barrel and protects the bulbous, protruding front element. As such, there’s no attachment thread for the direct mounting of filters. However, the new E-mount version of the lens adds a gel filter slot in its mounting plate, complete with a locking device, and comes with a template for cutting gel filter material to size. - Source: Internet
  • You can shoot flowers, insects, and other tiny subjects with this lens and capture the finest details. Even at the maximum aperture, the Sony 90mm F2.8 is incredibly sharp. - Source: Internet
  • For the price, the image quality of this lens is amazing. Photos come out startlingly sharp, nicely contrasty, and with great color. The bokeh is nice and creamy, and there’s nothing distracting in the out-of-focus areas. - Source: Internet
  • If you want to take full advantage of your Sony camera’s precise autofocus capabilities and image stabilization tech, it makes the most sense to stick with Sony branded lenses. In recent years though companies like Tamron and Sigma have started making lenses specifically designed for Sony E mount camera bodies. Picking up a lens from one of these third party makers can be a great way to save some money if you are just starting to build your camera collection. - Source: Internet
  • Prime lenses from Sony are usually more expensive, as they’re faster and require a more complex design. They are manufactured in lower quantities which naturally drive up the cost more. However, this also means they have a better build quality. - Source: Internet
  • The Zeiss Batis 18mm f/2.8 is a very lightweight and optically excellent lens. The extreme corners aren’t quite as sharp as the center but they come extremely close. - Source: Internet
  • The Sony FE 90mm F2.8 Macro is one of the best macro lenses in the photography world and the Sony FE 400mm F2.8 GM is a superb telephoto lens for shooting sports or wildlife. - Source: Internet
  • With such a lengthy head start, Sony put those five years to good use. It designed and brought to the market a succession of impressive full-frame compatible lenses, while also ramping up its range of APS-C format lenses for its popular line of A6000 series camera bodies. Whatever type of prime or zoom lens you need for your Sony full-frame or APS-C format body, you’ll be able to find an own-brand Sony lens to fit the bill. The only catch is that sometimes the bill can be a little steep, so we’ve taken value into consideration as well in this in-depth guide to the best Sony lenses. - Source: Internet
  • The lens is impressive mechanically as well as optically. Its stepping motor autofocus system is very fast and virtually silent in operation, and comes complete with the usual electronically coupled focus ring, which enables very precise manual adjustments. Meanwhile, aperture control is based on an 11-blade diaphragm which remains very well-rounded when stopping down, helping to retain attractive bokeh. - Source: Internet
  • A good mid-range zoom is a must for almost every kit, but finding one of the best Sony lenses for less than $1000 isn’t so easy….that is, until Tamron came out with the 28-75mm f/2.8 Di III VXD G2. - Source: Internet
  • We have nothing bad to say about third-party lenses in general. We actually use Tamron lenses ourselves and are very happy with them. So you might also want to consider going third party to take advantage of a wider range of options or better value for money. - Source: Internet
  • For a comparison with the Sony 24-70 F2.8 GM lens and the Tamron 28-75 F2.8 see this video from Gerald Undone. - Source: Internet
  • After Tamron’s success with their 28-75mm F2.8 Di III RXD lens they now bring us a wider alternative in the form of the Tamron 17-28mm F2.8 Di III RXD. Similar to the 28-75mm this lens offers great sharpness wide-open in a compact lightweight body and at a very reasonable price point. - Source: Internet
  • However, choosing the widest aperture you can find may not always be the wisest choice. After all, these lenses would be large, bulky, and more expensive. If you’re travelling a lot and shooting mostly the scenery, you might want to choose a higher aperture number just to save space. Check our travel photography tips for a better travel photography experience! - Source: Internet
  • There are currently so many brands creating lenses for the Sony E-mount system that it’s hard to keep up. The brand new Sony 14-24 f/2.8 Sigma lens that was designed for the E-mount system is an interesting option. As there are currently not many tests out yet and I haven’t used it for more than a few days, it’s hard to currently say how good this lens performs. - Source: Internet
  • I’d get my A7 IV at Adorama, at Amazon, at B&H or at Crutchfield, or eventually used at eBay if you know How to Win at eBay. It also comes as a kit with the crappy FE 28-70mm lens for $2,698 at Adorama, at Amazon, at B&H and at Crutchfield. I’d pass on that kit; I’d get the kit with the superb FE 24-105/4 G instead; the smart money is always spent on better lenses. - Source: Internet
  • For us, the best wide-angle lens for Sony a7iii has to be the Sony FE 16-35mm f/2.8 GM. Even with the maximum aperture, you will get sharp images on all edges. - Source: Internet
  • Anti-Reflective; the lens contains Sony’s nano-coating technology. All G and GM lenses have this. DDSM – Direct Drive SuperSonic Motor; Designed for moving large, heavy focus groups in some Sony lenses. - Source: Internet
  • This lens is also known for being one of the sharpest zoom lenses on the market, so you’ll be sure your shots are of great sharpness on any Sony E-mount camera, especially the high megapixel ones like the A7RII, III and IV. The lens is also of great build quality and has a nice sunstar to it. The only ‘negative’ to this lens is that it’s the most expensive of all the choices. But if you can afford it, go for it. - Source: Internet
  • If you haven’t bought a Sony Alpha 7 III yet, we recommend purchasing the camera in a kit. That way, you’ll spend a bit less on the lens than if bought separately. Sold individually, it’s currently available for about 300 to 400 euros. - Source: Internet
  • – Full-frame E-Mount lens. G – Gold Series lens. Sony’s second-highest lens tier. - Source: Internet
  • best portrait lens Sony 85mm F1.8 In terms of value-for-money, it’s hard to go wrong here with this lens.It offers super high quality shots as well as surprisingly fast and accurate autofocus. $548 at Amazon$548 at B&H Photo - Source: Internet
  • This lens is sharp from frame center to the edges even at the maximum aperture of f/1.4. Distortion is very well controlled as is the coma making this a great lens for astro photography if you don’t mind the 24mm focal range. - Source: Internet
  • At 600mm this lens is sharper than the Sony FE 100-400 + 1.4x is at 560mm. At 400mm this lens is also a touch sharper than the 100-400 which considering it’s a G lens and not a GM lens is really quite something. - Source: Internet
  • Some of the cheaper lenses may use more plastic, which although is lighter can be less durable. When looking for the best build quality in a lens, pay attention to its weather sealing features too. Especially if you’re looking to shoot outdoors! - Source: Internet
  • It’s also quite light for this focal range. Complete with the dust and moisture-resistant feature, you can easily use this on any outdoor trips. Plus, it’s great for capturing landscapes and architecture shots. This is an ideal lens for taking snapshots of places like Thailand where you’ll find incredible landscapes and interesting architectural landmarks! - Source: Internet
  • Fast aperture prime lenses and zoom lenses can both be excellent options when shooting flattering portraits with a Sony camera. Ultimately the right portrait lens is different for every shooter and you should consider your budget and what else you might be using it for when selecting the right lens for you. An 85mm or 135mm prime lens is an excellent option for shooting beautiful portraits with your Sony camera, but might not be as versatile as a zoom lens. If you are tight on money or just starting out consider a prime lens from a third party company like Tamron, or the less expensive Sony G lenses. If you’ve been shooting for a while and looking to splurge a fancy G Master prime lens is a great piece of glass to add to your collection. - Source: Internet
  • When you enable in-camera corrections, you will barely notice the chromatic aberrations from this lens. Still, they can be visible at wide apertures. The same goes with vignetting. - Source: Internet
  • We also love the fact that it’s the lightest 24mm f/1.4 lens you can get anywhere. Sure, it does come at a higher price point, but if you’re serious about your astrophotography, this is the lens for you to get. - Source: Internet
  • The 24mm F1.4 GM is a small and lightweight (445 grams) lens that delivers incredible sharpness even when shooting wide open at f/1.4. - Source: Internet
  • Because of the rather ‘slow’ aperture of f/4, this lens is not that big and is great to fit in your bag. The image quality of this lens is good, but not amazing. Obviously, the GM lenses beat this lens in sharpness, but if you want to shoot super wide then this lens is a great choice. - Source: Internet
  • If the Sony FE 24-105 is a little too expensive then thankfully Tamron’s 28-75mm F2.8 Di III RXD zoom lens is a very good and slightly more affordable all-in-one alternative. With a focal range of 28-75mm it doesn’t go as wide or as long as the Sony, however it does let you shoot with a maximum aperture of f/2.8. - Source: Internet
  • The lens has a variable aperture of F4.5-5.6, an extremely fast and silent autofocus motors along with the GM build quality. The lens is weather sealed against dust and moisture providing you with a little more confidence when the heavens open. - Source: Internet
  • Those looking for some of the best third-party Sony a7iii compatible lenses would love the Sigma 24-70mm F2.8 DG DN Art. It combines both range and high brightness to deliver a stunning performance, without the exorbitant price tag. - Source: Internet
  • With a focal range roughly equivalent to 27-202mm on a full-frame camera, the Sony 18-135mm f/3.5-5.6 OSS is a perfect all-in-one lens for APS-C shooters who don’t do a lot of low-light photography or shots needing a shallow depth of field. - Source: Internet
  • For example, attaching a 50mm full-frame lens to an APS-C camera will make the lens act more like a 75mm or 80mm lens. (The focal length of the lens itself doesn’t change.) This can be super useful if you want more of a super telephoto effect but don’t want to pay for something that expensive. - Source: Internet
  • I’d get mine at Adorama, at Amazon, at B&H or at Crutchfield, or eventually used at eBay if you know How to Win at eBay. It also comes as a kit with the crappy FE 28-70mm lens for $2,698 at Adorama, at Amazon, at B&H and at Crutchfield. I’d pass on that kit; I’d get the kit with the superb FE 24-105/4 G instead; the smart money is always spent on better lenses. - Source: Internet
  • Smooth Autofocus Motor; A cheaper AF motor used primarily on Sony’s kit lenses. XA – Extreme Aspherical; the lens contains Sony’s top-of-the-line aspherical element that produces extremely high resolution with beautiful out-of-focus areas. Reserved for Sony GM lenses. - Source: Internet
  • At f/2.8, it’s not particularly fast, but what it loses in speed it makes up for in its particularly small size. (A faster lens would obviously be larger and heavier.) - Source: Internet
  • If money is not an issue then the Sony FE 400mm F2.8 GM OSS lens already has your name on it. This is the most expensive E-mount lens that you can currently buy and it is most definitely my dream lens. - Source: Internet
  • It’s a small lens and weighs only 280g (9.9 oz). Despite the small size Sony has no skimped on optical quality. - Source: Internet
  • A portrait lens does not refer to any specific type of lens because any lens can be used for portraits. You can use a prime, a zoom, a telephoto, or even a kit lens to take portrait photos. That said, the best portrait lenses often have a focal length of somewhere between 70 to 135mm, along with a wide maximum aperture for great low-light performance and shallow depth-of-field. Here are the best portrait lens options for the Sony a7R4. - Source: Internet
  • The only real negative thing about this lens is the price. At $11,998.00 in the US or £10,499.00 in the UK, this lens will leave a very noticeable hole in your bank account. - Source: Internet
  • It has an aperture of f/1.8 and a surprisingly good image quality. At 500 euros, this portrait lens definitely offers the best value for money in the market. - Source: Internet
  • It has a very compact build, is sealed against dust and splash water, and even comes with a filter thread. What’s more, it has a practical zoom range of 17-28 mm and a very good lens speed of f/2.8. - Source: Internet
  • You never know which particular AF lenses will work or not with other brands of adapters. There is always firmware and software to update, so you never know. While my A9 works with my Canon Canon 100-400mm L IS II and most of my lenses including my 1986 Canon 80-200/2.8 L, with the Fotodiox adapter my 50mm f/1.0 most things work, including electronic manual focus — but AF doesn’t. - Source: Internet
  • Aperture is how much light a lens can let through its sensor, where more light allows you to shoot in the dark without too much blurring. The lower aperture number (f/1.4) means more light can get in, while a higher aperture (f/22) denotes the opposite. - Source: Internet
  • best macro lens Sony 90mm F2.8 Arguably the sharpest Sony lens ever made, this is definitely your best bet if you’re in the market for a new Sony a7iii macro lens. Perfect for shooting top quality photos of tiny subjects, including insects and all other objects. $998 at Amazon$998 at B&H Photo - Source: Internet
  • This lens is sharp from 24mm to 105mm even at the maximum aperture of f/4. If you are a fan of MTF charts then Roger has tested this lens over on LensRentals.com. - Source: Internet
  • Understandably, this 200-600mm lens is huge and bulky. At over 2 kg in weight, it completely offsets your a7iii’s lightweight build. This is also not the best lens for shooting in dark conditions. - Source: Internet
  • In terms of focal length range, this lens is a direct competitor to the Sony 12-24 mm f/4. However, the Sigma is significantly faster with an aperture of f/2.8 and still only slightly heavier at around 795 grams. - Source: Internet
  • When looking for the right lens to buy – especially from third parties – you’ll need to make doubly sure that you’re buying an E-mount lens for your Sony mirrorless camera. (Many third-party developers like Tamron and Sigma make the same lens for a variety of different cameras.) - Source: Internet
  • Of course use only Sony’s full-frame FE lenses. APS-C lenses work fine, but use less than half of your sensor. Skip them. - Source: Internet
  • A wide-angle lens generally refers to a lens that has 35mm focal length and wider on a full frame camera like the Sony a7R IV. A wide-angle lens allows for more of the scene to be included in the frame making them very popular popular choices with landscape, architectural and interior photographers. Here are the best wide-angle lens options for the Sony a7R IV. - Source: Internet
  • This lens offers a larger zoom range with a focal length of 70-300 mm. The downside is the underwhelming aperture between f/4.5 and 5.6. - Source: Internet
  • Understandably not everyone will want to shell out for the 70-200 F2.8 GM lens. Thankfully there is a more affordable alternative and that’s the Sony FE 70-200mm F4 G lens. - Source: Internet
  • The Sony FE 70-300mm F4.5-5.6 G OSS is made for those wanting a multi-purpose telephoto lens with incredible zoom range, but won’t be shooting in low light. - Source: Internet
  • The lens is well built and weather sealed from dust and moisture. Sharpness is simply outstanding throughout the entire zoom range at all apertures and all focus distances, if you start pixel peeping into the corners then you will spot that they are a tiny bit softer at f/2.8. The autofocus motor is both fast and quiet, helping you to lock on and track your subject with ease. - Source: Internet
  • Why Trust Us? Our experience with lenses for Sony Alpha cameras and how we tested Your author Mark has been shooting weddings professionally with Sony cameras for several years, using many different Sony prime and zoom lenses, as well as 3rd party e-mount options. Co-author Usnea has been using Sony cameras for 6 years, shooting landscape, nature, action, and travel photography using primarily native Sony lenses. For testing, Mark used the latest Sony a7IV full-frame mirrorless camera to evaluate a selection of Sony FE-mount lenses and a Sony a6100 for lenses designed for the APS-C format. The recommended lenses in this guide were chosen based on Mark & Usnea’s own personal experience, results of lens reviews by our various Shotkit authors (also professional photographers), and over 120 hours of combined research and analysis. We are not sponsored by any of the brands that appear here, and our opinions are completely unbiased - in short, you can trust what we say! - Source: Internet
  • Like Sigma’s 24-70mm Art standard zoom for Sony mirrorless cameras, this one has evolved from a very popular lens that was designed for Canon and Nikon SLRs. Again, there are considerable differences in the construction of the E-mount version, starting with the optical path. The veritable feast of glass includes three aspherical elements, complete with a large-diameter, ultra-high-precision one at the front. Further back, there’s an FLD (‘Fluorite’ Low Dispersion) element and no less than five SLD (Special Low Dispersion) elements. Also like the standard zoom, the ultra-wide lens uses both Super Multi-Layer Coating and Nano Porous Coating, which give a noticeable reduction in ghosting and flare, compared with the older SLR lens. - Source: Internet
  • GM, or Gold Master lenses are Sony’s premium, top-of-the-line lenses. They’re designed to fulfill all professional requirements, from exceptional image quality and performance to weatherproofing and a superior design build. They are designated on the lens with a white G on an orange square. - Source: Internet
  • The Sigma 85mm f/1.4 Art lens also happens to be lighter, sharper, and quicker focusing than Sony’s GM version, all while costing a full $700 less. Many feel that its image quality also matches the GM, but that might be more a matter of taste. - Source: Internet
  • Within each series, Sony indicates its superior models by the letter G and names its flagship mirrorless lenses G Master or GM for short. Models involving a partnership with Zeiss are labeled ZA, and are generally pitched between Sony’s own G and GM lenses in quality. Meanwhile, lenses labeled PZ have a Power Zoom for smooth motorized zooming while filming, while those with OSS refer to Optical SteadyShot stabilisation. Phew, enough of the specs and now on to my recommendations; the text links in the next section take you to B&H to check prices, while links to my full reviews and sample galleries are lower on the page. - Source: Internet
  • It’s compact, lightweight, and extremely versatile. Making this our top pick lens for the Sony a7iii for the most people’s needs. It’s certainly not the cheapest lens on the list, but it’s also not the most expensive. Truly an epic all-round lens for those looking to upgrade their camera quickly. - Source: Internet
  • Some shooters prefer shorter lenses in the 50mm or 35mm range. These focal lengths are a great option for capturing environmental portrait photos because of their slightly wider field of view. Most portrait photographers avoid going any wider, as a wider angle portrait will start to add distortion to the features of your portrait sitter. - Source: Internet
  • Due to its size, telephoto lenses often need a tripod to prop up. They are heavy, not portable, and very expensive, making it less ideal for beginners. If you do go for one, research your camera backpacks carefully to make sure you have enough room to store this and the rest of your lenses/accessories. - Source: Internet
  • There really is no one answer for this, as the best lens for your Sony a7iii is the one that meets your photography needs and interests. For example, the Sony 85mm F1.8 would be the perfect choice if you’re into portrait photography, while the Sony FE 70-200mm F2.8 GM OSS is better suited to capture faraway subjects like animals and wildlife. - Source: Internet
  • Helped by the inclusion of one aspherical element and five ED (Extra-low Dispersion) elements, sharpness and contrast are outstanding for a super-telephoto zoom and amazingly consistent throughout the entire zoom range, right up to 600mm. Color fringing and pincushion distortion are also very negligible at all focal lengths. Autofocus is super-fast and, unusually for a super-telephoto zoom, the physical length remains constant at all focal lengths. All in all, this is a fabulous lens for both full-frame and APS-C format Sony cameras. - Source: Internet
  • Editor’s Choice Sony FE 50mm f/1.8 The best Sony lens for everyday photography on a budget. Great image quality and classic focal length (Also great as an 85mm lens on APS-C). CHECK AMAZON PRICE CHECK B&H PHOTO PRICE - Source: Internet
  • It’s also a bit faster with a lens speed of f/1.2 and the image quality is exceptional. And so is the price. The lens currently sells for about 1,350 euros. - Source: Internet
  • When it comes to Sony’s G Master lenses, we think the 12-24mm F2.8 lens is one of its best. It may not be the cheapest lens you can get for your a7iii, but its performance at a 12mm focal length is stunning. - Source: Internet
  • The most budget option is the Samyang 14mm f/2.8, the ‘old’ manual version (there is also a new Sony E-mount version with autofocus, but it’s not that sharp at f/2.8). If you don’t have a fast wide angle lens and you’re on a budget, this is the lens to get. It’s surprisingly sharp (if you get a good copy, because quality control is a thing with this particular lens). - Source: Internet
  • One of them is the 20 mm with an aperture of f/1.4. The lens is perfect for landscape and architecture photographs. It costs about 800 euros. - Source: Internet
  • 12mm on the Sony A7RIII. A wide lens lets you get a strong foreground because of the extreme perspective. Photo by: ‘Albert Dros’. - Source: Internet
  • If you mount a Sony or Zeiss APS-C lens, it automatically uses only the central APS-C section of the full-frame sensor. You’d never know, since all the displays just look right. It’s that seamless, but sort of silly to waste most of this camera’s sensor area with an APS-C lens. - Source: Internet
  • A brand new G Master version of the 16-35 mm has just been released. With an aperture of f/2.8 and the image quality the G Master lenses are famous for, this lens is the absolute cream of the crop when it comes to wide-angle lenses for the Sony Alpha 7 series. - Source: Internet
  • Distagon – A design system Zeiss uses for its wide and ultra-wide angle, retrofocal lenses. These lenses are often heavy, as they are pretty complex. The Sony Zeiss Distagon T* FE 35mm F1.4 ZA is the only Distagon lens available for Sony E-mounts. - Source: Internet
  • However, what’s most brilliant about this lens is its stunning bokeh and excellent autofocus. It’s fast, reliable, and silent. You can also use this in low light situations and get breathtaking results. - Source: Internet
  • An “E” without the “F” means the lens was designed specifically for a Sony APS-C camera (i.e. the a6xxx line). It will have a smaller image circle than that of a lens designed for a full-frame sensor. - Source: Internet
  • The only real downside of this lens is its autofocus. It definitely hunts a bit if you’re too close to your subject or in super low light. It’s also not the quietest. Still, it functions great most of the time. - Source: Internet
  • It can be hard to find a wide-angle lens with a low aperture number, and in this case f/1.4 is magnificent. This means it’s the perfect lens for shooting beautiful bokeh! - Source: Internet
  • Those lenses autofocus extremely well, but once you use an off-brand lens or adapter, lenses that perform magnificently on their own brand of camera may or may not autofocus that well. If you demand the best performance, just use the same brand of lens as your camera. Adapters should never be your go-to for the best performance. Don’t expect the best results for sharpness or for autofocus from other-brand adapters if you’re picky. - Source: Internet
  • It may take a while to master focusing on this lens, but once you do, you’ll absolutely fall in love with what it can do. (The key is to understand that it was built for Macro photography, not so much as a multi-purpose lens.) - Source: Internet
  • Nevertheless, the lens is an affordable starting point for getting into photography, especially when purchased in a kit. And its compact size really comes in handy when you’re traveling. The lens currently costs 380 euros on its own. That’s an okay price, but you can save even more money buying it in a kit. - Source: Internet
  • best wide-angle lens Sony 16-35mm F2.8 If you plan on shooting landscapes with your Sony a7iii, then this is the perfect lens for you. silent, accurate and super fast autofocus is coupled here with stunning edge-to-edge quality. Leading to stunning landscape photos all day long. $1,998 at Amazon$1,998 at B&H Photo - Source: Internet
  • We were lucky enough to snatch up a bargain at a clearance sale, but even at full price, it’s a very affordable lens. The image quality is simply outstanding for the price, but unfortunately the autofocus is very loud and slow. If you can live with that, this lens is definitely a good investment at less than 200 euros. - Source: Internet
  • The lens is also compatible with the Sony FE 1.4x and 2.0x teleconverters, helping to extend its reach up to 560mm with the 1.4x and up to 800mm with the 2x. - Source: Internet
  • Just in-case you didn’t know, Sony makes two different types of E-mount lenses. APS-C E-mount lenses which are designed for cameras with an APS-C sensor and full-frame E-mount lenses designed for cameras like the Sony A7 series and A9. The APS-C lenses have E in their name whilst the full-frame lenses have FE. - Source: Internet
  • It features the same XD focus motor found in more expensive lenses like the Sony FE 400 F2.8 GM and 600 F4 GM. The XD linear focus motor is very fast, reliable and very quiet, which makes it a good choice for video work as well as stills. - Source: Internet
  • Handling is excellent, with well thought-out controls that have effectively the same layout to those of the smaller 100-400mm lens. Three customisable focus-hold buttons are fitted around the lens barrel and there’s an autofocus range limiter. It’s enhanced in the 200-600mm lens, however, enabling you to lock out either short or long focus range and the optical stabilizer gains a third switchable mode. - Source: Internet
  • The Sigma 70mm F2.8 DG Macro lens for Sony E-mount is one of the first lenses that Sigma has adapted for Sony E-mount. I say adapted because this lens was originally designed for SLR cameras and not mirrorless, therefore it’s a little larger than it really needs to be. Still, if you can get over the size then this really is a very good lens that costs around 50 percent less than the Sony 90mm Macro. - Source: Internet
  • There are, of course, plenty of other 50mm lenses available for the Sony FE-mount, but the F/1.2 GM stands out not only for its relatively compact size and exceptional optical performance but also for being Sony’s only f/1.2 lens. - Source: Internet
  • Sony cameras use either an A-mount or an E/FE-mount. A-mount lenses work with Sony DSLRs. Sony’s mirrorless cameras use the E-mount and/or FE-mount. - Source: Internet
  • Zeiss makes some pretty great lenses for the Sony a7iii, and the Batis 85mm f/1.8 is no exception. It’s another versatile option you can use for landscape and interior photography. - Source: Internet
  • And this lens certainly lives up to those demands. It can easily go toe to toe with the Sony 24 to 70 mm. Top image quality, fast, quiet, and slightly more compact and lighter than the Sony G Master. - Source: Internet
  • It’s great if you like to shoot a wide range of subjects but don’t want to carry around many lenses. This Tamron lens is a go-to lens for most beginners or casual photographers. Thanks to its focal range, you can capture portraits, detailed close-ups, landscapes, and even the night sky. This is a perfect lens to capture the varied landscapes and huge diversity of people in places like India. - Source: Internet
  • To find the best astrophotography lens for Sony a7iii, you want a wide-angle lens with a wide max aperture, as well as edge-to-edge sharpness. The Sony FE 24mm f/1.4 GM checks all these boxes - Source: Internet
  • Quick final note: We receive several emails every day with questions about which lens is best for a specific purpose. We hope you understand that we just can’t answer them all. As a small company, we simply don’t have the time. If you have any questions, please leave us a comment below the post and we’ll try to get back to you as soon as possible. Deal? - Source: Internet
  • Sony’s FE 100-400mm f/4.5-5.6 G Master OSS is undeniably a cracking lens, but if you want even more telephoto reach, the new 200-600mm delivers it in fine style and is better value. - Source: Internet
  • Sony makes three different categories of lens: G lens, G Master lens and ZEISS lenses. G Master lenses are designed to offer ultimate resolution and beautiful bokeh, while the ZEISS lenses offer ultimate resolution and contrast. The line of ZEISS lenses were designed in collaboration with iconic lens maker ZEISS. The G and G Master series were designed exclusively by Sony. G Master lenses are some of the most precise lenses you can shoot with, but they tend to be a lot more expensive than the G lenses that Sony makes. - Source: Internet
  • Adapters are great for fun; you can get adapters cheap for any kind of lens, but not only may autofocus be iffy, adapted wide-angle lenses usually aren’t very sharp on the sides at large apertures because Sony’s full-frame mirrorless sensors are optimized for lenses with a curved field. Most other adapted lenses won’t seem very sharp on the sides at large apertures due their flat fields not interfacing well with the curved fields needed by Sony’s sensors on these cameras. If you get the center in focus, the sides will probably be off, and if you get the sides in focus, the center will be off. This is more of a problem with wider lenses and at large apertures; stop a lens down and the sides will come into better focus. - Source: Internet
  • While Sony’s mirrorless lens mount is generically-known as the E-mount, the single letter E on a model name specifically refers to lenses that are only corrected for cameras with cropped APSC sensors, like the A6000 series, or full-frame bodies running in cropped / Super-35 modes; in either case, the crop reduces the field-of-view by 1.5 times, so a 50mm becomes equivalent to 75mm. Note older NEX bodies also employ cropped APSC sensors, but may not have the firmware to correct distortion on some of the latest lenses; they’ll still work, but you may see more distortion that you would on an A6000 series body. - Source: Internet
  • If you are looking for the best native 100-400mm zoom lens for shooting wildlife (my Borneo adventure), sports and action, then look no further than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens. I’ve owned this lens since it was released and it has rarely been off my camera since. - Source: Internet
  • Wide-open at f/2.5 and the lens is very sharp from the center and towards the edges of the frame. Chromatic aberrations are well controlled and the bokeh is smooth although you will get cat-eyes towards the edges of the frame. - Source: Internet
  • The 45 mm is special because the focal length is rather unusual. The normal focal length for full-frame lenses is typically around 50 mm. In purely mathematical terms, however, 45 mm is closer to the field of vision of the human eye, making this lens an interesting alternative. - Source: Internet
  • The Sony FE 200-600mm F5.6-6.3 G OSS lens has not been out for very long but it’s already proving itself to be an exceptional telephoto lens for wildlife photographers. - Source: Internet
  • This is a big lens and it weighs 2115g without tripod mount and is 318mm in length. It’s also an internal focusing lens and the short zoom throw makes going from 200mm to 600mm a breeze. Because it doesn’t extend it also balances very well on a gimbal. - Source: Internet
  • These are the top lenses that are optimized for Sony Alpha APS-C sensor cameras, also known as having a ‘crop-sensor.’ They work on both older models from the Sony NEX range, as well as anything from the a6xxx range (e.g. a6100, a6400, etc.). - Source: Internet
  • There is minimal distortion even with lens corrections off, there is a little vignetting at f/1.8 but this clears by f/2.8. Chromatic aberrations are well controlled and if you are shooting into the soon then flare also presents very few issues. - Source: Internet
  • The Sony Sonnar T* 55mm F1.8 ZA has a fast f/1.8 aperture, which performs well in low-light conditions. While it can be quite large for a 55m lens, pairing it with the Sony a7iii still makes a relatively compact camera. - Source: Internet
  • – Light Edition. Only ever used once in 2012 to designate a particularly lightweight lens design. OSS – Optical SteadyShot is Sony’s name for in-lens image stabilization. - Source: Internet
  • When selecting a portrait lens for your Sony camera the most important distinction to understand is that Sony makes two different styles of lens mount. A mount lenses fit on Sony’s now-discontinued A-series DSLRs, but they will also work on mirrorless cameras with one of Sony’s adapters. E-mount lenses have a shorter flange distance, so they fit on Mirrorless cameras like the A6500 and the A7 series. It’s important to know that not all E-mount lenses work with every E-mount camera. Some are designed for smaller APS-C cameras, which means they don’t create an image big enough to cover a full-frame sensor. - Source: Internet
  • You can get this lens with an aperture of f/1.4 for less than 500 euros. The quality may not be on par wih the Sony lens, but it only costs a third of the price. - Source: Internet
  • If you can find one for a good price, go for it. Another nice property of this lens is the ‘sunstar’ that it produces. When photographing into the sun, this lens has a very distinctive sunstar that you can recognise immediately over every other lens. I think it’s beautiful, but that’s subjective, of course. - Source: Internet
  • It also captures stunning bokeh and performs well in low-light, thanks to the f/2.8 max aperture. With the fast, silent, and accurate autofocus, this lens doesn’t disappoint. - Source: Internet
  • We’d say that the Sony 135 mm is the better alternative to the Zeiss 135 mm. The main difference is the higher lens speed of f/1.8, which makes it much easier to create a bokeh effect. - Source: Internet
  • When selecting a Sony lens for shooting portrait photos the first decision you’ll make is between a fixed-focal length lens or a zoom lens. Fixed-focal length lenses (also known as prime lenses) typically offer wider apertures than zoom lenses, making them a great choice for shooting in low light. That feature also allows shooters to create portrait photographs that are extremely sharp on the subject with a lovely defocused background. - Source: Internet
  • This one is a great alternative to the slightly more expensive Sony 85mm F1.4 G Master. While it’s not as sharp, this 85mm F1.8 lens is much smaller and lighter. In fact, it even has a faster autofocus. - Source: Internet
  • But if you’re looking for the best overall lens, you can’t go wrong with the Tamron 28-75mm F2.8. Its wide focal range is extremely versatile. Use it for portraits, low-light, landscapes, and even the night sky. - Source: Internet
  • This lens from Samyang also has an unusual focal length with its 75 mm. 85 mm is more common for portrait lenses, but the 75 mm in combination with its aperture of f/1.8 is just as capable of producing a great background blur, so you can really make your subject stand out. - Source: Internet
  • Want the best telephoto lens for your Sony a7iii? Look no further than the Sony FE 70-200mm F2.8 GM OSS. It flaunts edge-to-edge sharpness, fast and accurate autofocus, stunning bokeh, and incredible versatility. - Source: Internet
  • The Sony FE 12-24 F2.8 GM has not long been announced. As soon as reliable information about this lens is available this section will be updated. - Source: Internet
  • The lens is compatible with the Sony FE 1.4x and 2.0x teleconverters allowing you to extend its reach to 280mm with the 1.4x and up to 400mm with the 2.0x. - Source: Internet
  • Images come out highly detailed, with great color and contrast. In fact, few zooms at this price point can match the fine detail rendering (i.e., acuity) of this lens. - Source: Internet
  • Indeed, you won’t find another lens at this price range with a more stunning performance. The Sony 24-70mm f/2.8 GM, for instance, is great but very heavy and expensive. - Source: Internet
  • If you want to use this lens for astrophotography then you will see some signs of coma from f/1.8 to f/2.5 and you might even see traces of coma at f/2.8 if you have very bright stars at the edges of the frame. However, coma is still not as prominent as on many other wide-angle lenses. - Source: Internet
  • The sharpness of this lens is superb, especially when stopped down to f/5.6. It also works superbly with Sony’s autofocus system. - Source: Internet
  • The Tamron 28-75mm F2.8 Di III RXD is the best all-round lens for Sony a7iii and one of our top picks for today. It’s made of durable polycarbonate casing that’s compact and lightweight, while still being versatile. - Source: Internet
  • An 85mm prime is generally regarded as the best lens for shooting portraits because of how it flatters your subjects. This Sony G Master lens was designed to offer ultimate resolution and beautiful bokeh. It has a fast maximum aperture of f/1.4, one XA element, three ED elements and a Nono AR coating, plus it’s dust and moisture resistant. The 11 blade circular aperture found inside the lens will help you create portrait photos with tack sharp subjects and beautiful defocused backgrounds. - Source: Internet
  • – Gold Series lens. Sony’s second-highest lens tier. GM – Gold Master, more commonly “G-Master” lens. Sony’s highest-tier lens. - Source: Internet
  • A zoom lens is a more versatile option for shooting portraits. A 24-70mm lens or a longer telephoto lens are both handy tools to have in your kit. These lenses can be particularly useful when shooting portraits at an event. A long telephoto lens will provide the same flattering perspective as an 85mm prime, while a shorter 24-70mm lens can make it easier to flip between portraits and event details without having to carry a second Sony camera body. - Source: Internet
  • As well as limiting the light coming in, the filter also makes bokeh balls darker towards their outer edge as well as softens it. While the aperture is stated as F2.8, the depth of field is similar to an F4 lens. - Source: Internet
  • The Sony FE 70-200mm F2.8 GM OSS lens features a fast maximum aperture of f/2.8 making it a great choice for low light photography such as shooting an indoor basketball game. Optical Steady Shot (OSS) is built in and there’s a Mode 1/2 panning switch on the lens itself along with a manual focus on/off switch and an AF limiter. - Source: Internet
  • LEICA lenses of 35mm and wider aren’t as sharp as they should be at the sides. They sharpen up as stopped down, but if you want great results, use LEICA lenses on a LEICA camera, or use Sony’s lenses on the A9. It all has to do with the specific alignment of micro lenses and layer configuration towards the sides of the sensor. - Source: Internet
  • It’s quite bulky for a 50 mm lens, but the photo quality is excellent all around. The price isn’t exactly low at just under 1,400 euros. But then again, it’s certainly justified for a high-quality lens with Zeiss technology. - Source: Internet
  • For shooting astrophotography with the a7R IV your best options are the Sony FE 24mm F1.4 GM, the Sony FE 16-35mm F2.8 GM or the Sigma 14mm 1.8 DG HSM Art. All of these lenses have been covered in further detail under the wide-angle section of this guide. - Source: Internet
  • And yet another 35 mm prime lens from Sony. This lens excels with its incredible lens speed of f/1.4. However, that also means it’s very bulky and heavy. - Source: Internet
    1. Sony FE 90mm f/2.8 Macro G OSS Big-up the little things in life with this macro lens Specifications Full-frame compatible: Yes Focal length: 90mm (135mm APS-C) Maximum aperture: f/2.8 Aperture blades: 9 Weather seals: Yes Filter thread: 62mm Dimensions: 79 x 131mm Weight: 602g specifications Storage Size 64GB Colour Black Condition New, Refurbished Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Super-sharp for extreme close-ups + Useful as a fast, short telephoto lens Reasons to avoid - Expensive for a macro lens - Distance scale inactive for autofocus - Source: Internet
  • The maximum size of the aperture of a lens – or f/number – determines how “fast” a lens is. Faster lenses let in more light, allowing you more wiggle room when working handheld in darker environments. They also allow you to photograph a narrower focus plane, putting your subject in focus while blurring everything in front and/or behind it. - Source: Internet
  • If the Sony FE 85mm f/1.8 is too slow for you and you have a bit more to spend, take a look at this beautiful 85mm f/1.4 Art lens by Sigma. - Source: Internet
  • In contrast, a prime lens features only a single focal length and doesn’t let you zoom in or out. This means each prime lens caters only to a specific type of use and is not as versatile as a zoom lens. Yet the images it produces are much more high-quality. - Source: Internet
  • The Sony Sonnar T* FE 35mm F2.8 ZA and Rokinon/Samyang AF 35mm f/2.8 FE are also both great lenses for street photography. I’m going to cover these two lenses next under pancake lenses. - Source: Internet
  • We’re proud owners of a Sony Alpha 7II and we would never want to part without this great camera. In this guide we’ll show you which lenses are available for the Alpha 7 series. If you’re looking for the perfect full-frame lens for E-mount cameras, you’ve come to the right place! - Source: Internet
  • The Sigma 30mm F1.4 Contemporary is another brilliant 3rd party portrait lens worth considering. The wide angle can give you stunning shots of people. It’s also relatively cheap and so perfect for beginners looking for a solid prime lens. - Source: Internet
  • Sigma has certainly thrown the full weight of its technological expertise into the lens. It has a complex optical path of 19 elements. Of these, there are three aspherical elements, six top-performance FLD (‘Fluorite’ Low Dispersion) elements and two SLD (Special Low Dispersion) elements. In addition to Sigma’s usual Super Multi-Layer Coating, there’s a brand new Nano Porous Coating, to further reduce ghosting and flare. - Source: Internet
  • Don’t worry if the price of the 85mm F1.4 GM lens is making you eyes water because the Sony FE 85mm F1.8 is also an excellent portrait lens with a much more budget friendly price tag. - Source: Internet
  • The lens is very sharp, but the autofocus could be a bit faster. Still, you get a very good lens for your money. It currently costs about 500 euros. - Source: Internet
  • Best prime lens Sony FE 24mm F1.4 gm Finding an excellent quality wide-angle lens with such a low aperture number is rare. But in this case, the Sony FE 24mm F1.4GM lens excels and is excellently priced at the same time. - Source: Internet
  • Unlike most up-market zoom lenses for DSLRs, this one has a widest available aperture of f/4 rather than f/2.8, which helps to make its size and weight a better match for the comparatively small A7 series bodies. As with most Zeiss-badged optics, the physical design looks minimalist, without any switches for auto/manual focus modes or on/off for the OSS (Optical SteadyShot) stabilizer. Even so, the metal lens barrels feel beautifully engineered and the build is dust/moisture resistant. Sharpness is good and very consistent throughout the zoom and aperture ranges although the corners become a little soft at longer zoom settings. - Source: Internet
  • The Tamron 17-28mm f/2.8 does sacrifice a bit of zoom range to keep its size as compact as possible while still maintaining excellent optics. The images from this lens deliver great clarity, good sharpness to the corners and very good flare performance. - Source: Internet
  • The Sony FE 90mm f/2.8 Macro G OSS lens is an exceptionally sharp lens. DxOMark reviewed this lens and said that it’s outstanding, scoring higher than both the Canon and Nikon equivalent macro lenses. - Source: Internet
  • Sony’s mirrorless lenses corrected for use on full-frame bodies like the A7 and A9 series, are labeled FE and have no reduction in their field-of-view when shooting in full-frame modes; these also work on cropped bodies or in cropped modes, albeit again with a 1.5x field-reduction. Sony’s A-mount lenses have SAL in their product codes, but models additionally labeled with DT are designed for bodies with cropped / APSC sensors. - Source: Internet
  • Best telephoto lens Sony FE 70-200mm F2.8 GM OSS If you’re looking for stunning up-close shots of faraway subjects, then this is the best lens for you. With incredibly fast autofocus, it is super versatile and offers edge-to-edge sharpness. - Source: Internet
  • Prime lenses come in a variety of focal lengths, but the 85mm is the most classic portrait option. A lens with this focal length allows the photographer to be farther from their subject and capture a headshot style portrait or a full body portrait without adding distortion to the image. It’s popular with portrait photographers because of its flattering perspective. - Source: Internet
  • Quality-wise, it’s a great lens. We definitely recommend it over the Sony 12-24 and if you can live without 35 mm, also over the Zeiss 16-35 or the Sony G Master. And last but not least, the lens is also comparatively affordable at around 1,450 euros. - Source: Internet
  • There’s no need to splurge for the latest APO ASPH LEICA lenses since the LEICA’s (or anyone else’s) lenses, with their flat fields are never going to be that sharp across a frame that’s expecting a curved field lens. Therefore, it’s best to select the lightest-weight (older) lenses rather than the hottest new ones. The performance of my LEICA SUMMICRON-M 35mm f/2 (7-element) is the same as with the newest LEICA SUMMICRON-M 35mm f/1.4 ASPH (floating element), so I prefer to use the older, lighter lens. - Source: Internet
  • This lens isn’t quite as sharp as the 85mm F1.4 GM but it’s unlikely to disappoint you. The autofocus is also surprisingly faster than the GM! The bokeh isn’t quite as smooth as creamy but it’s not too far away. - Source: Internet
  • The Sony Zeiss 55mm f/1.8 Sonnar T* lens is a huge favorite among many, many Sony shooters. Its excellent optics, strong autofocus performance, and compact size make it more than worth its price (which admittedly is a bit steep for an f/1.8). - Source: Internet
  • The Voigtlander 110mm F2.5 Macro APO Lanthar puts up some stiff competition for the Sony FE 90mm F2.8 G Macro lens despite it being manual focus only. - Source: Internet
  • The Sony 90mm F2.8 is hands-down the sharpest Sony lens. It’s also a great option for those interested in macro photography and portraits. Even when shooting wide-open, you can enjoy crisp images that are sharp to the edges. Featuring an impeccable AF system, this lens can produce stunning bokeh and low-light images without any distortion. - Source: Internet
  • When most people picture the stereotypical photographer with their massive lenses, they are picturing a telephoto lens. With a range between 100mm and 600mm or more, this type of lens can zoom in extremely far. It’s usually used in professional sports and wildlife photography. - Source: Internet
  • If you’re looking for more of a bargain and are comfortable with a manual-focus-only APS-C lens, you could always opt for either the 7Artisan 60mm f/2.8 Macro MK II (under $200) or the TTArtisan 40mm f/2.8 Macro (under $100). - Source: Internet
  • Sonnar – Sonnar Zeiss lenses use the Zeiss classic “Sonnar” design invented by Dr. Ludwig Bertele in the late 1920s. They feature a fast aperture, lightweight design, and fantastic contrast – all with a minimum of flare. - Source: Internet
  • Sigma chose to eschew some of the “normal” conventions (i.e. external focusing, no IBIS, etc.) with this lens to focus purely on the optics…and it shows. - Source: Internet
  • An all-in-one lens typically refers to a lens that covers a wide focal range and allows you to shoot anything from a moderate wide-angle landscape shot, to a portrait shot or even a slight telephoto shot. All-in-one lenses make great walk-around or travel lenses for when you want to travel as light as possible. Here are the best all-in-one lens options for the Sony a7R IV. - Source: Internet
    1. Sigma 14-24mm f/2.8 DG DN Art Ultra-wide viewing angles with top-notch quality Specifications Focal length: 14-24mm (21-36mm APS-C) Maximum aperture: f/2.8 Aperture blades: 11 Weather seals: Yes Filter thread: N/A Dimensions: 85 x 131mm Weight: 795g specifications Colour Black Condition New, Refurbished Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Great image quality + Robust, weather-sealed construction Reasons to avoid - Less ‘ultra-wide’ than Sony 12-24mm - Not a ‘zero distortion’ lens - Source: Internet
  • Kit deals are also available for professional cameras. Who would have thought? Since it was barely more expensive than just buying the body, we also bought our cameras in a kit with the 28-70 mm, f/3.5-5.6 zoom lens included. - Source: Internet
  • With its focal length of 14 mm, the lens falls into the wide-angle category. It offers incredible image quality, but at a very high price. You should expect to pay about 1,500 euros. - Source: Internet
  • You can use this lens for indoor events and stage performances, or wildlife photography. The 200mm focal length will give you excellent close-ups of faraway subjects. Not only that, the long focal range makes it ideal for shooting portraits too. - Source: Internet
  • The Sigma does extend as you focus, although never further than the end of the lens hood. With a minimum focusing distance of 0.25m you will need to get pretty close to your subject for 1:1 shots which means there is a risk of casting a shadow or scaring your subject away. - Source: Internet
  • The second Sigma Art lens is a top-notch portrait lens. With a focal length of 105 mm and an aperture of f/1.4 it allows for wonderful bokeh and leaves nothing to be desired. - Source: Internet
  • A Carl Zeiss lens is a lens made by Sony using Zeiss design and technology. It uses the Zeiss quality standard, which focuses on resolution and contrast. (Sony partnered with Zeiss for two decades before making their first GM lens in 2016.) - Source: Internet
  • – Gold Master, more commonly “G-Master” lens. Sony’s highest-tier lens. LE – Light Edition. Only ever used once in 2012 to designate a particularly lightweight lens design. - Source: Internet
  • This lens is sharp across the frame even at f/2.8. There are 11 circular aperture blades that deliver lovely smooth bokeh. - Source: Internet
  • Sony FE lenses stand for Sony Full E-mount lenses, which refers to any lens designed for the full-frame Sony mirrorless cameras. This includes the ever-popular Sony a7iii. You can use these lenses on APS-C cameras too, but note that the focal length will increase by 1.5x. - Source: Internet
  • Enlarge the camera-original © file and you’ll see that everything is ultra-sharp. It’s not that the LEICA lens isn’t this sharp; it’s just that its field curvature (or rear nodal point location) isn’t optimized to the Sony cameras as Sony’s lenses are. Also you’ll see that there is much less corner darkening with this real Sony GM lens instead of the LEICA lenses, since the A9 has lens correction data for it. - Source: Internet
  • The Tamron 70 to 180 mm is a real insider tip. The lens has a speed of f/2.8 in combination with a focal length of 70 to 180 mm. It’s very compact for this type of lens and only weighs 815 grams. - Source: Internet
  • Light, compact, and available for under $700, it’d be easy to assume that this was just a mediocre lens. In reality, however, the Tamron 28-75mm f/2.8 can more than pull its weight in both image quality and performance. - Source: Internet
  • The ZEISS Batis 2.8/18 is an extremely lightweight and compact lens with excellent optical performance. Its ultra-wide field of view makes it perfect for landscape and architectural photography. - Source: Internet
  • When it comes to the drawbacks, we really can’t think of any major red flags. This Sony lens is quite expensive compared to the other options, but it’s still the sharpest and most lightweight 24mm f/1.4 you can find. - Source: Internet
  • Another wide-angle lens from Sony. This one has very high-quality build, the product of excellent optical and technical workmanship. And the image quality is impeccable. - Source: Internet
  • If money is not too much of a concern and you want the very best quality along with a maximum aperture of f/2.8, then the Sony FE 24-70mm F2.8 GM lens is probably the all-in-one lens for you. - Source: Internet
  • Sony has two main lens mount styles for its cameras: the A-mount and the E-mount. The A-mount is for its DSLRs (cameras with a mirror). The E-mount is for its mirrorless line – both APS-C and full-frame. - Source: Internet
  • On launch this lenses was sold out for over 6 months! It offers excellent sharpness and autofocus performance in a compact and lightweight body. There is very little in the way of chromatic aberrations to worry about and the lens is sharp across the frame even at its maximum aperture of f/2.8. - Source: Internet
  • LEICA lenses also have the big disadvantage of not focussing any closer than 0.7 or 1 meters (2.5 or 3 feet). A huge advantage of mirrorless is that the system works great regardless of close-focus distance, so if you’re going to use a lens on the A9, you ought to use one that focuses close enough. LEICA lenses were always limited by having to work with a viewfinder on the side of the camera which leads to big parallax problems at closer distances. - Source: Internet
  • The image quality is very good and the lens is extremely fast with a maximum aperture of f/1.4. Only the autofocus leaves something to be desired with this lens. - Source: Internet
  • While it comes with excellent build quality and quick, accurate autofocus, the real reason to buy this lens is for its speed and superb lowlight performance. Its f/1.4 maximum aperture is just about as fast as you can buy. - Source: Internet
  • There are also photographers who prefer primes to zoom lenses in regards to landscape photography. Prime lenses often offer more sharpness. However, these days the zoom lenses are of such high quality that the sharpness often does not differ to an extreme amount. - Source: Internet
  • Shot with a real Sony 16-35/2.8 GM lens at 21mm and f/3.2, sharp corner-to-corner. bigger or camera-original © file. - Source: Internet
  • Yes, you can connect a Nikon lens to a Sony mirrorless camera body. You just need a Sony E-mount adapter. For more information, see the section above. - Source: Internet
  • If the Tamron 28-75mm f/2.8 isn’t wide enough for you, your next best bet in the mid-range zoom category is the Sigma 24-70mm f/2.8 DG DN Art lens. - Source: Internet
  • The Sony FE 70-300mm F4.5-5.6 G OSS offer a very good zoom range in a fairly compact body. Unlike all of the other Sony telephoto lenses that are white, this lens is black. So if you prefer to be a little more discrete whilst shooting then you may prefer this lens. - Source: Internet
  • Its main competitor, the Sony 35mm f/1.8 is almost $350 cheaper but also slower. The Sony 35mm f/1.4 GM is a somewhat better lens optically, but a full $600 more. - Source: Internet
  • The only good things about LEICA digital full-frame is that they are MADE IN G E R M A N Y, their system uses superior fixed-focal-length lenses and that their manual-focus magnifier tends to time-out as soon as you release the focus ring. LEICA’s strength is the supremacy of its lenses and the superior nature of the people who own LEICA. LEICA’s digital cameras have inferior performance. - Source: Internet
  • The best portrait lens for Sony a7iii has to be the Sony FE 85mm f/1.8, which is portable and sharp, offering a surprising quality for its relatively lower price. This is for those who want both a high performance portrait lens and the best value for their money. - Source: Internet
  • Depending on your photography style, you will need a different focal length. For instance, you need a longer lens for shooting wildlife and a wide lens for capturing landscapes. To take photos of people, you might want something that’s close to a human’s natural viewing angle. - Source: Internet
  • Here’s another great telephoto lens for Sony a7iii, which we’d say is best reserved for wildlife or sports photography and shooting objects that are extremely far away. If you want the best focal reach, the Sony FE 200-600mm f/5.6-6.3 G OSS is your answer. - Source: Internet
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