Reference List: Top Street Photography Lenses, Page 476 Sony A7

This time around, we shall cover Best Lens For Street Photography Sony A7. Obviously, there is a great deal of information on The 7 Best Lenses for Street Photography in 2022 on the Internet. The fast rise of social media facilitates our ability to acquire knowledge.

7 Best Lenses for Sony a7III in 2022 (Budget to Premium)-related material is also connected to The 7 Best Lenses for Street Photography in 2022 and Street Photography Lens Sony. As for further searchable items pertaining to Best Sony portrait lenses of 2022, they will likewise have anything to do with Best Zoom Lens For Sony Alpha 7 Iii.

476 Reference List: Best Lens For Street Photography Sony A7 | best 35mm lens for sony a7iii

• Macro shots are all about the details, and this lens is one of the sharpest Sony lenses ever built. It is flawlessly sharp at all apertures, even wide-open, and will bring out the tiniest details in your subjects. Bokeh is also very smooth and creamy. - Source: Internet
• Good everyday standard lens Buy from Amazon Tamron 24-70mm f/2.8 Di VC USD G2 Zoom Lens for Nikon F-Mount Best for Image Stabilization Constant f/2.8 maximum aperture - Source: Internet
• If you’re planning to shoot in dim lighting conditions, this lens won’t disappoint. You’ll get high-quality, noise-free shots even in low light. Autofocus is impressively fast and very silent, too. There are also minimal flares and great ghost control. - Source: Internet
• Telephoto lenses are typically used to shoot wildlife, sports, and other far-away subjects. They also allow you to zoom in on landscapes to capture creative perspectives. Telephoto lenses typically have a minimum focal length of 70mm and can go up to 600mm or more. - Source: Internet
• The Sony FE 50mm f/1.8 is a very small budget-friendly lens that’s perfect for casual everyday shots. Weighing only 186 g (6.6 oz.), it’s also super portable and travel-friendly. - Source: Internet
• The lens is very sharp, but the autofocus could be a bit faster. Still, you get a very good lens for your money. It currently costs about 500 euros. - Source: Internet
• Autofocus is insanely fast and reliable, making it easy to capture quick fleeting moments (such as during weddings). And with the Sony a7 IV’s in-camera corrections turned on, you’ll see no distortions. Ghosts and flares are minimal, too. - Source: Internet
• The Sony FE 90mm f/2.8 Macro G OSS is the absolute best Sony a7 macro lens for shooting very tiny subjects such as insects, bugs, and water droplets. Moreover, this lens doubles as a fantastically sharp portrait lens, too. - Source: Internet
• It also costs around 600 USD which is more than half the price of the Sony 35mm F1.4 GM lens I recommended above. If you are only starting out and are looking to do more street photography when you travel, the Sony FE 40mm F2.5 G lens will be a great lightweight addition to your camera arsenal. - Source: Internet
• There are various types of zoom lenses. The common ones are the 18-55mmMany entry-level DSLRs come with a kit lens, like this Canon EF-S 18-55mm. Another popular zoom is the 70-200mm or 70-300mm, and you’ll find this at both the consumer level and pro. - Source: Internet
• The Sony FE 12-24 F2.8 GM has not long been announced. As soon as reliable information about this lens is available this section will be updated. - Source: Internet
• – Beginners are used to zooming in all the time. That’s why most of them need time to practice using a prime lens. Not to mention, they have to constantly dismount and change their lenses in the field if they want to capture a different perspective. Expensive – The 35mm and 50mm are relatively affordable. But most other prime lenses can cost a whole lot more than a standard zoom lens. - Source: Internet
• The Sony a7 III isn’t marketed or thought of as a street or a travel camera. Despite its small size when compared to DSLRs, it still isn’t as compact and discreet as I’d like. It doesn’t fit in a pocket, and its shutter has a loud clunk reminiscent of film cameras. What’s more, the camera’s full-frame sensor necessitates beefier lenses. - Source: Internet
• The Tamron 70 to 180 mm is a real insider tip. The lens has a speed of f/2.8 in combination with a focal length of 70 to 180 mm. It’s very compact for this type of lens and only weighs 815 grams. - Source: Internet
• Price-wise, this lens also offers incredible value for money as it’s even cheaper than the shorter Sony 100-400mm f/4.5-5.6 GM (mentioned above). It also has an impressive weather-sealed build. - Source: Internet
• Although zooms have a few disadvantages, they’re not as bad as some people think. They’re the best choice if you don’t want to fumble with lenses too much. It’s also a great option if you don’t have a collection of optics. If you’re willing to work around their limitations, they can produce great results. - Source: Internet
• This lens also has faster autofocus than many specialized macro lenses. Plus, its long focal length allows you to stand far away from small subjects like insects so as to not scare them away. It truly replaces the need for a macro lens. - Source: Internet
• The Sony FE 90mm f/2.8 Macro G OSS lens is one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
• It is very hard to find fault with this lens but if I’m being very picky then AF performance could be faster and the manual focus ring adjustments could be finer for more precision. That said, for macro work I’ll normally adjust the focus by moving the camera back and forth and whilst making use of focus peaking to let me know when the focus is where I’d like it to be. This lens also has optical stabilization built in, making it even easier to get tack sharp images with slower shutter speeds. - Source: Internet
• This lens offers a larger zoom range with a focal length of 70-300 mm. The downside is the underwhelming aperture between f/4.5 and 5.6. - Source: Internet
• Sony FE 85mm F1.8 (Shot on a7III) @ 85mm | 1/1000 | f/1.8 | ISO 250 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
• Anti-Reflective; the lens contains Sony’s nano-coating technology. All G and GM lenses have this. DDSM – Direct Drive SuperSonic Motor; Designed for moving large, heavy focus groups in some Sony lenses. - Source: Internet
• The Sony FE 1.4x Teleconverter extends the reach of some of the best Sony a7 telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing one full aperture stop. - Source: Internet
• If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the 90mm F2.8 Macro G OSS lens. I own this lens myself and have no plans to let it go anytime soon. - Source: Internet
• Sigma 16-28mm F2.8 DG DN Lens: Again, the G Master lenses are not cheap and it might not be reasonable to buy them especially if you are just starting out so for those of you who are looking for an excellent but affordable architecture/landscape wide-angle lens for your travel, I highly recommend you take a look at the Sigma 16-28mm F2.8 DG DN lens. - Source: Internet
• If you are looking for the best possible wide-angle zoom lens then you don’t need to look any further than the Sony FE 16-35mm f/2.8 GM. This certainly isn’t a lightweight lens though, as it weighs in at a hefty 680g. - Source: Internet
• Previously, I had been using the Sony 35mm f/2.8 lens which is incredibly compact but I often felt limited in low light by the f/2.8 maximum aperture. It was a very sharp, high-performance lens, except in low light. - Source: Internet
• This multi-purposeful lens serves up exceptional value. It delivers flawless edge-to-edge sharpness at every aperture as well as spectacular bokeh. You also won’t see any distortions, ghosts, or flares. Thanks to its wide aperture, it also performs superbly in low-light situations. - Source: Internet
• After Tamron’s success with their 28-75mm F2.8 Di III RXD lens they now bring us a wider alternative in the Tamron 17-28mm F2.8 Di III RXD. Similar to the 28-75mm this lens offers great sharpness wide-open in a compact lightweight body and at a very reasonable price point. - Source: Internet
• Note that if you want to print your photos on very large prints or posters, then this lens will fall short, and you’re better off with either of the two above-mentioned wide-angle lenses (the Sigma 14-24mm f/2.8 or the Sony 16-35mm f/2.8), which are much sharper and crispier. - Source: Internet
• This lightweight and travel-friendly lens combines wide-angle and telephoto reach, taking away the need to switch between multiple lenses. It’s also incredibly sharp and weather-resistant. CHECK PRICE ON AMAZON - Source: Internet
• It has a very compact build, is sealed against dust and splash water, and even comes with a filter thread. What’s more, it has a practical zoom range of 17-28 mm and a very good lens speed of f/2.8. - Source: Internet
• A spectacularly sharp, fast, and portable prime lens that delivers stunning bokeh and premium image quality. A must-have for anyone serious about portraits. CHECK PRICE ON AMAZON - Source: Internet
• If you are looking for the best native 100-400mm zoom lens for shooting wildlife (my Borneo adventure), sports and action, then look no further than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens. I’ve owned this lens since it was released and it has rarely been off my camera since. - Source: Internet
• It’s not easy to find a wide-angle lens with a maximum aperture of f/1.4. That’s why the Sony FE 24mm f/1.4 GM is one of the best prime lenses for Sony a7. Its image quality is also impeccable. - Source: Internet
• Zeiss Loxia 21mm f/2.8 ($1,499): Excellent Manual Focus Wide Angle Prime Lens! Despite its compactness, the super wide-angle Zeiss Loxia 21mm f/2.8 Lens offers outstanding image performance – and it is extremely sharp all the way to the corners. Whether architecture, landscape or also three-dimensional subjects in close-up against a spacious background – this focal length with its large image angle is an excellent addition to the Loxia lens family. It is an absolute must for wide-angle fans who try manual focus often and want to capture even the tiniest details of a special moment in a photo or on film. - Source: Internet
• Canon EF 50mm f/1.8 STM Prime Lens You can’t beat this little Canon lens for neatness, sharpness, and value for money. Buy from Amazon × Canon EF 50mm f/1.8 STM Prime Lens Amazon $125.00 Buy Now! - Source: Internet
• 🔮 Looking for more portrait lenses? Check out my review for the Sony FE 55mm F1.8 ZA. Although it has a shorter focal length, it’s great for environmental portraits, street photography, and top-notch videography. - Source: Internet
• Tamron lens is also known for producing tack sharp images which is also the case for this lens too. If you are looking to get into wildlife photography and do not want to spend 2,000+ USD for a lens, the Tamron 70-300mm F4.5-6.3 lens is hands down, the best lens to get. - Source: Internet
• An “E” without the “F” means the lens was designed specifically for a Sony APS-C camera (i.e. the a6xxx line). It will have a smaller image circle than that of a lens designed for a full-frame sensor. - Source: Internet
• This lens offers spectacular value for money. It’s ultra-sharp from corner to corner at every aperture. In fact, according to Sony’s MTF chart, it’s possibly even sharper than the more expensive premium Sony FE 85mm f/1.4 GM. - Source: Internet
• The Sony FE 14mm F1.8 GM truly has everything you’d dream of in an astrophotography lens and more. First off, it’s very lightweight and travel-friendly. In fact, it’s the smallest, lightest, and sharpest 14mm in the world. - Source: Internet
• OUR TOP PICK Tamron 28-75mm F2.8 A top-value everyday lens that’s lightweight, beginner-friendly, versatile, and impressively sharp. It can shoot everything from portraits and landscapes to starry skies. CHECK PRICE ON AMAZON - Source: Internet
• I quickly settled on the Sony 55mm f/1.8. My three priorities of performance, size/weight, and affordability made this lens an excellent choice. - Source: Internet
• If you haven’t bought a Sony Alpha 7 III yet, we recommend purchasing the camera in a kit. That way, you’ll spend a bit less on the lens than if bought separately. Sold individually, it’s currently available for about 300 to 400 euros. - Source: Internet
• Canon EF 50mm f/1.8 STM This fast, lightweight lens is perfect for capturing stunning street photography shots with its wide aperture and impressive low-light performance. Buy from Amazon × Canon EF 50mm f/1.8 STM Prime Lens Amazon $125.00 Buy Now! - Source: Internet
• Offering outstanding image performance, Zeiss Loxia lenses are all excellent manual focus lenses designed specially for Sony full frame E mount cameras. If you want to get the best sharpness, like using more compact lenses, star flares and old-fashioned zone focusing and the feeling of a mechanical focus ring, the Zeiss Loxia lenses are great choices for you. You can choose the one you need! - Source: Internet
• This lens is more affordable than the previously discussed Sony 16-35mm f/2.8 GM, but that’s not all. It’s a whole 2mm wider too, with an image quality that will blow you away. - Source: Internet
• – Gold Master, more commonly “G-Master” lens. Sony’s highest-tier lens. LE – Light Edition. Only ever used once in 2012 to designate a particularly lightweight lens design. - Source: Internet
• Image quality is simply impeccable. In fact, this lens is razor-sharp edge-to-edge, even wide-open at f/1.8, which is exactly what you need in an ideal astrophotography lens. - Source: Internet
• Sony FE 35mm f1.4 GM Lens: In street photography, you will be running around shooting at moving subjects that often move spontaneously and you will need a lens that is at the most natural-looking focal length, unobtrusive, and extremely fast which is why I recommend the Sony FE 35mm F1.4 lens. - Source: Internet
• Autofocus is also very fast and reliable. Additionally, this lens performs fantastically in low-light conditions and creates beautiful bokeh. Sharpness is flawless from edge to edge at every aperture, and there are also no distortions, ghosts, or flares. - Source: Internet
• This lens is razor-sharp edge-to-edge, even when shooting wide-open at 400mm. It can track moving subjects with ease, making it a valuable asset for sports and wildlife shots. What’s more, autofocus is very accurate, silent, and fast. - Source: Internet
• 📸 Which lens to choose: If you shoot for fun and value travel-friendliness, then go for the Tamron 28-75mm f/2.8. But if you’re looking for a more professional option and want the utmost image sharpness and the smoothest bokeh, then go for this heavier Sigma lens. - Source: Internet
• To take the best portraits, look for a prime lens with a focal length of 85mm or longer. Prime lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits. Here are the best Sony a7 IV prime lenses for portraits. - Source: Internet
• Many people just like programming the focus hold button on this optic to “eye autofocus”, making it that much easier to get tack-sharp images. (See my full Sony 85mm f/1.8 lens review for more sample images.) - Source: Internet
• The Sony 35mm f/1.8 is also flexible enough to create a nice portrait without too much distortion and a wide scene setting shot if you step back from your subject. It makes for the perfect combination when attached to a Sony a7III. - Source: Internet
• 🔮 The Sony FE 16-35mm F2.8 GM (the overall top Sony a7 wide lens) is another amazing lens for astrophotography. It’s sharp edge-to-edge even wide-open and has minimal chromatic aberrations. - Source: Internet
• Something I have come to love about the Sony alpha mirrorless cameras is how fast their autofocus system works. It’s great to have a lens that can keep up with this amazing performance. Well, the Autofocus on this lens is really fast and silent! - Source: Internet
• An 85mm prime is generally regarded as the best lens for shooting portraits because of how it flatters your subjects. This Sony G Master lens was designed to offer ultimate resolution and beautiful bokeh. It has a fast maximum aperture of f/1.4, one XA element, three ED elements and a Nono AR coating, plus it’s dust and moisture resistant. The 11 blade circular aperture found inside the lens will help you create portrait photos with tack sharp subjects and beautiful defocused backgrounds. - Source: Internet
• For vlogging, look for a wide-angle lens (max 35mm focal length) with a minimum focus distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera. Here are the best Sony a7 IV lenses for videos. - Source: Internet
• 🔮 As you may remember from earlier, the Sony FE 100-400mm F4.5-5.6 GM is a fantastic telephoto lens that also doubles as a macro lens. It’s another great option to consider if you’re planning to shoot wildlife or sports, too. - Source: Internet
• This lens produces beautiful bokeh as you can come to expect from a lens with such a wide aperture. It is also considerably sharper in most use cases compared to other 85mm lenses, even sharper than the Sony 85mm F1.4 GM lens, and best of all, it is almost 700 USD cheaper! - Source: Internet
• In fact, this lens delivers fantastic sharpness in the center of the frame throughout the whole zoom range — even when shooting wide open at f/2.8. It’s also great for portraits, and focuses quickly, quietly, and accurately. - Source: Internet
• If you want the most top-notch image quality, then the Sony FE 135mm f/1.8 GM is the ultimate portrait lens to get. According to expert Roger Cicala from LensRentals, out of 300+ lenses, this is the sharpest lens he’s ever tested. - Source: Internet
• Unlike the Tamron 17-28mm F2.8 lens that I recommended earlier, the Sigma lens does go all the way to 16mm which makes it great for many travel applications. The lens doesn’t go as tight as the Sony GM with its 35mm focal range but I am happy to sacrifice the tight focal range for a lens that is more compact and lightweight. - Source: Internet
• The bokeh is silky smooth and possibly the best of all the current 24mm f/1.4 lenses available. Autofocus is fast, quiet and super accurate. I own this lens myself and absolutely love it. I’ll be writing a review for it just as soon as I get a little free time. - Source: Internet
• The bright f/1.8 aperture of this lens is what makes it truly spectacular for videos and photos. It’ll allow you to get super smooth bokeh (even better than the Tamron 28-75mm f/2.8 mentioned above) as well as beautiful, crisp, and noise-free low-light videos/photos. - Source: Internet
• Price-wise, this lens offers incredible value for money as it’s even cheaper than the shorter Sony 100-400mm f/4.5-5.6 GM (mentioned above). - Source: Internet
• If money is not an issue then the Sony FE 400mm F2.8 GM OSS lens already has your name on it. This is the most expensive E-mount lens that you can currently buy and it is most definitely one of my dream lens. - Source: Internet
• Sony offers the 85mm f/1.4 GM lens if you want maximum performance but for me, the 85mm f/1.8 is the perfect balance of performance and value! - Source: Internet
• The Sigma 105mm f/1.4 DG HSM Art Lens for Sony full-frame E-mount is an exceptionally sharp lens even when shooting wide-open at f/1.4. Autofocus works almost as fast as Sony native lenses in good lighting, but in poor light autofocus starts to struggle a little more. There is very little in the way of vignetting and almost nonexistent chromatic aberrations. - Source: Internet
• This lens is extremely sharp across the frame even when wide open at its maximum aperture of f/1.4. Distortion is well controlled as is the coma making this a great lens for astro photography. - Source: Internet
• – One of the best street photography tips is learning how to interact with your subject. Unfortunately, that can be difficult if you’re only zooming in to take photos. Loss of quality – Using a zoom lens allows you to change the focal length on a whim. However, they often come with compromises such as variable aperture or poor image quality and sharpness. Distortion, chromatic aberration, and vignetting can also easily be an issue with the zoom alternatives—especially compared to prime lenses. - Source: Internet
• However, one thing that most street photographers will agree on is that wide-angle lenses below 35mm are generally more difficult to use for street. If you are shooting people with a lens under 35mm then you will literally need to be in their face to get the photo. That said, some street shooters like to use a 24mm to allow them to include more of the surrounding environment in their photo. - Source: Internet
• The 70-200mm is a staple in almost every professional photographer’s kit. If you haven’t tried one for your Sony a7III, the Sony 70-200mm f/2.8 is an excellent choice. - Source: Internet
• – The concept of a zoom lens is easy to understand. It lets you capture wide shots to close-ups with a twist of the lens barrel. Versatility – You don’t have to change lenses all the time to capture the image you want. A standard zoom lens is equivalent to three or four prime lenses. - Source: Internet
• The Sigma lens comes with a mid-range price tag compared to the other lenses discussed here. So how does this compare to the L-series lenses? Very well, in fact. It produces results that are sharper than its Canon counterparts. - Source: Internet
• It has an aperture of f/1.8 and a surprisingly good image quality. At 500 euros, this portrait lens definitely offers the best value for money in the market. - Source: Internet
• This lens is spectacularly sharp edge-to-edge throughout the whole zoom range, even when shooting wide open. The only lens that can rival its image quality is the previously mentioned Sony 24-70mm f/2.8, which is heavier, more expensive, and offers less focal reach. - Source: Internet
• In addition, this lens is ultra-sharp from edge to edge even when shooting wide open, and autofocus is super fast and reliable. If you’re a fan of bokeh, you’ll be very pleased. You’ll also be able to get some fantastic low-light shots thanks to the f/1.8 aperture. - Source: Internet
• If you’re looking for a medium-wide angle lens, then the Sony FE 35mm f/1.8 is the best choice out there. It delivers stunning image quality and is super lightweight and travel-friendly. - Source: Internet
• Unfortunately, pancake lenses have nothing to do with delicious breakfast carbs or maple syrup. They’re simply super small and lightweight lenses — so light that you’ll barely feel their weight at all. These lenses are especially great for travel and street photography, and perfect for minimalists and those who enjoy packing light. - Source: Internet
• Planning to take your Sony a7 camera on your next big trip? Consider a small, lightweight, and portable lens. A nice versatile zoom range might also come in handy if you want to shoot a variety of subjects. Here are the absolute best Sony a7 lenses to travel with. - Source: Internet
• The 35mm AF lens Bastian has been waiting for so long to couple with his Sony FE 85mm 1.4 GM. Smoothest bokeh in a 35mm lens we have seen yet and certainly the best performing f/1.2 lens in terms of optical qualities you can put on your E-mount camera. - Source: Internet
• Perspective – Focal length can dramatically change your perspective. Do you use your zoom lens to zoom in on a subject while shooting street photography? If you do, you’re compressing the scene. And it can’t include other outside elements besides your main point of interest. - Source: Internet
• This camera lens is built on previous incarnations of the Canon 50mm f/1.8. It has a more robust build and is a move away from the more plastic design of the older lenses. Most notably, the mount is now metal. And this is the part that takes a beating whenever you put the lens on or take it off. - Source: Internet
• Sony has two main lens mount styles for its cameras: the A-mount and the E-mount. The A-mount is for its DSLRs (cameras with a mirror). The E-mount is for its mirrorless line – both APS-C and full-frame. - Source: Internet
• Unfortunately like many ultra-wide lenses, the Sony 12-24 has a bulbous glass front element, meaning that it protrudes from the front of the lens. This makes it difficult to attach filters and there is no filter thread. However, thankfully there are now several companies making filter holders for this lens. - Source: Internet
• Note that this Sigma lens is prone to some vignetting, and its focal range is shorter than the Sony 16-35mm f/2.8 GM. At the end of the day, if you’re looking to shoot ultra-wide, this is a top-value option. - Source: Internet
• The Sony Sonnar T* FE 35mm F2.8 ZA is essentially the smallest lens for Sony a7 that you can get. Weighing a mere 120 g (4.3 oz.), this lens is the perfect choice for the ultimate minimalists and those who love to pack light. - Source: Internet
• Zeiss Batis 135mm f/2.8 ($1,999): This Zeiss Batis 135mm f/2.8 mid-length telephoto prime lens is ideal for portraiture, weddings and travel photography. Characterized as an apochromat, the Sonnar optical design helps to virtually eliminate chromatic aberrations and color fringing, and also benefits overall sharpness and clarity. Additionally, a T* anti-reflective coating has been applied that suppresses lens flare and ghosting when working in strong lighting conditions. - Source: Internet
• The Sony FE 85mm F1.4 G Master is an exceptional lens and one which every portrait photographer should own if they don’t already. Sharpness across the frame is already excellent from f/1.4, flare resistance is very good, as is control of chromatic aberration. - Source: Internet
• A full frame camera gives you 1:1 in terms of focal length, so 35mm is 35mm. A lens with a crop factor will mean adjusting the focal length. So if your crop factor is 1.6, your 35mm lens is behaving like a 60mm lens. - Source: Internet
• It is ultra-sharp edge-to-edge throughout the zoom range, even wide-open at f/2.8. It delivers extremely detailed photos and videos — if you want the utmost image quality, look no further than this lens. - Source: Internet
• When it comes to performance, versatility, and image quality, the Sony FE 100-400mm f/4.5-5.6 GM OSS is hands-down the best super-telephoto zoom lens. It also has a maximum magnification ratio of 0.35x, allowing it to double as a powerful macro lens. - Source: Internet
• Bokeh is very important for good portraits, and this lens is a bokeh king. It’ll allow you to create beautifully smooth out-of-focus backgrounds for your subjects. This lens also shows fantastic low-light performance. - Source: Internet
• Macro lenses have a 1:1 magnification ratio and typically, a minimum focusing distance of around 0.30 m (0.98 ft) or less. This will allow you to get extremely sharp and detailed close-ups of microscopic subjects. - Source: Internet
• This lens is ultrasharp edge-to-edge even when shooting wide open (at f/1.8). You’ll get details so rich that you don’t even have to sharpen your photos at all in post-processing! - Source: Internet
• An ultra-fast, budget-friendly, and portable lens that takes incredible videos and vlogs. It delivers super sharp results, stunning bokeh, and great low-light performance. CHECK PRICE ON AMAZON - Source: Internet
• Moreover, this lens is very portable and travel-friendly. Its powerful zoom range saves you from having to lug around several different lenses to swap out. With just this one lens, you can go from wide-angle to telephoto reach in only a matter of seconds. - Source: Internet
• Zeiss Batis 85mm f/1.8 ($1,199): An ideal portrait-length lens, this Zeiss Batis 85mm short telephoto has been designed specifically for full-frame E-mount mirrorless cameras: superb sharpness, fast & quiet auto focus and Dust and weather sealed. Fast f/1.8 maximum aperture benefits working in low-light conditions and also offers extensive control over depth of field for selective focus applications. - Source: Internet
• A faster f/1.4 lens allows you to blur your background more than a slower f/2.8 lens and it also lets in more light, allowing for lower ISO or shorter shutter speeds. Faster lenses are usually bigger, heavier and more expensive than slower lenses but there are exceptions to both rules we mention in the discussion of each lens. - Source: Internet
• While the Tamron 28-75mm f/2.8 is a solid entry-level zoom lens, the Sigma 24-70mm f/2.8 DG DN Art is a great alternative if you’re looking for a pro/expert-level zoom lens. - Source: Internet
• Which lens should you choose? For everyday shooting and ease of travel, the Tamron 28-75mm f/2.8 is the better option. It doesn’t weigh as much, packs nicely, and comes at a lower price. This Sigma lens delivers overall better image quality, though. - Source: Internet
• – Focal length can dramatically change your perspective. Do you use your zoom lens to zoom in on a subject while shooting street photography? If you do, you’re compressing the scene. And it can’t include other outside elements besides your main point of interest. Lack of interaction – One of the best street photography tips is learning how to interact with your subject. Unfortunately, that can be difficult if you’re only zooming in to take photos. - Source: Internet
• This lens is impeccably sharp edge-to-edge, even when shooting wide open at f/2.8. It may be expensive, but its professional-grade performance backs up the high cost. It’s the best choice if you’re serious about wide-angle photography and want premium image quality. - Source: Internet
• On the downside, do not expect reliable low-light performance from this lens. Under dim lighting, it’s unable to consistently lock focus. For a relatively slow lens, it’s also not exactly cheap, despite its somewhat approachable price. - Source: Internet
• The Sony FE 2.0x Teleconverter extends the reach of some of the best Sony a7 telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing two full aperture stops. - Source: Internet
• The Sony FE 85mm F1.8 lens comes at only 371 grams and costs only around 550 USD retail. The lens produces sharp images as you can come to expect from Sony native lenses and even though the aperture is one stop less than the Sony 85mm F1.4 GM lens, the depth of field produces with this lens is still stunning, allowing you to capture a person in tack-sharp detail and throw the rest of the background out creating one of the most satisfying subject separations ever. - Source: Internet
• If you’re on the hunt for a travel-friendly budget lens with a wide focal length, then the Sony FE 28mm f/2.0 is for you. This lightweight lens is great for landscape and architecture shots and offers amazing value for money, especially given its low price. - Source: Internet
• This specialized macro lens is super user-friendly, versatile, and one of the sharpest Sony lenses out there. It’s perfect for close-ups of tiny subjects and doubles as a portrait lens, too. CHECK PRICE ON AMAZON - Source: Internet
• What is surpizing about this lens is that the autofocus is actually faster than the GM version. The bokeh isn’t quite as smooth as the GM, but it certainly comes very close. I own this lens myself and certainly have no plans to sell it anytime soon. - Source: Internet
• The Sony FE 24-70mm F2.8 GM is one of the very few zoom lenses that can keep up optically with many of the best prime lenses. It’s extremely well built, weather sealed from dust and moisture, and the autofocus is fast and accurate. - Source: Internet
• The Sony FE 16-35mm f/2.8 GM is a premium lens that pretty much has it all. Its zoom range is super practical and allows you to shoot a large variety of wide-angle settings. On top of that, it has a fixed aperture that’s perfect for videos and low-light photography. - Source: Internet
• To take the best portraits, look for a prime lens with a focal length of 85mm or longer. Prime lenses have very wide apertures, allowing you to create stunning bokeh, a shallow depth of field, and better subject-background separation — all of which would enhance your portraits. Here are the best Sony a7 prime lenses for portraits. - Source: Internet
• Autofocus is very reliable, fast, and silent. This lens is also very lightweight, weighing a mere 281 g (10 oz.), and its small size makes it incredibly portable. - Source: Internet
• When it comes to choosing the best lens for street photography, there are two main types. You have zoom lenses that can change the focal length. Then there are prime lenses that have a fixed focal length. - Source: Internet
• Sony FE 12-24mm f/4 G ($1,698): Sony’s widest full-frame E-mount lens. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. It is an excellent choice for landscapes and architecture, and is compact, lightweight, and mobile so it can go wherever the great shots are without slowing you down. - Source: Internet
• There’s also great ghost control and minimal flares. The wide aperture of this lens will also help you get high-quality, noise-free shots in low light. In addition, the build quality is very sturdy and weather-sealed. - Source: Internet
• I think this lens is the perfect combination of performance and size. You can read more about it in my Sony 35mm f/1.8 review. - Source: Internet
• STF – Smooth Transition Focus. Lenses that employ special APD lens groups that get thicker towards the edges and, because of that, reduce the amount of light passing through. These lenses are designed to deliver extremely smooth, silky out of focus bokeh. - Source: Internet
• The Sony FE 50mm f/1.8 is a very affordable and compact lens that’s excellent for casual everyday shots. Weighing only 186 g (6.6 oz.), this lens is super portable and travel-friendly. - Source: Internet
• a7R III + 24mm F1.4 GM @ 1/100 | f/1.4 | ISO 100 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
• The Sony 1.4x teleconverter (SEL14TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
• The Sigma 24-70mm f/2.8 DG DN Art is a great alternative to the above-mentioned Tamron 28-75mm f/2.8 if you don’t mind a heavier lens in exchange for even better image quality. - Source: Internet
• Sonnar – Sonnar Zeiss lenses use the Zeiss classic “Sonnar” design invented by Dr. Ludwig Bertele in the late 1920s. They feature a fast aperture, lightweight design, and fantastic contrast – all with a minimum of flare. - Source: Internet
• The Sony FE 28mm f/2.0 is a spectacular vlogging lens thanks to its wide 28mm focal length, close minimum focusing distance, and bright f/2.0 aperture. - Source: Internet
• This lens demonstrates excellent central sharpness, which is very impressive even wide-open. Autofocus is ultrafast, accurate, and essentially silent. Focusing manually is also very easy; you can do so with just a fingertip. - Source: Internet
• This makes this an excellent lens for street photography. With an aperture of f/1.4, it’s going to perform very well in low light. - Source: Internet
• Kit deals are also available for professional cameras. Who would have thought? Since it was barely more expensive than just buying the body, we also bought our cameras in a kit with the 28-70 mm, f/3.5-5.6 zoom lens included. - Source: Internet
• This lens is ultra-sharp even at f/2.8 across the whole frame. Bokeh is beautifully smooth especially if you shoot at f/2.8, although you might see some onion rings from time to time. Autofocus is impressively fast and very silent too. - Source: Internet
• Smooth Autofocus Motor; A cheaper AF motor used primarily on Sony’s kit lenses. XA – Extreme Aspherical; the lens contains Sony’s top-of-the-line aspherical element that produces extremely high resolution with beautiful out-of-focus areas. Reserved for Sony GM lenses. - Source: Internet
• The Sony FE 90mm f/2.8 Macro G OSS is one of the sharpest Sony lenses ever made and will allow you to get impeccably fine details in your portraits. On top of that, it’s also a specialized macro lens, meaning you can also use it to shoot bugs, flowers, and other small subjects. - Source: Internet
• This lens’s wide aperture is a big asset. Bokeh is incredibly smooth (even topping the Tamron 28-75mm f/2.8 mentioned above), and even under dim lighting, this lens produces crisp, gorgeous, and noise-free photos and videos. - Source: Internet
• Looking for a lens that can “do it all”? The Tamron 28-200mm f/2.8-5.6 Di III RXD is a powerful multipurpose lens that’s basically a standard zoom, wide-angle, and telephoto lens all in one. It’s also very lightweight and compact. - Source: Internet
• Expect minimal distortions and great ghost & flare control with this lens. Autofocus is ultrafast, accurate, and practically silent, while focusing manually is also extremely easy; you can do so with just a fingertip. What’s more, the build quality of this lens is nice and sturdy. - Source: Internet
• If you are on Facebook then I’d love for you to join one of the many Sony Alpha Shooters groups that I run. There are groups for Sony Alpha landscape, portrait, sports, wildlife, weddings, macro, street, and video shooters, as well as a generic group for everything else Alpha. You can find all of the links here. The groups are a great place to post your shots with your brand new lens! - Source: Internet
• Of course with a lens that compact, there are some trade-offs in performance. For example, the lens only has an initial aperture of f/4-5.6. It isn’t protected against dust and splash water, and there are certainly better lenses in terms of image quality. - Source: Internet
• If you’re deciding between this lens and the Sony 100-400mm f/4.5-5.6 GM, note that if you primarily shoot wildlife, then you’ll largely benefit from the 600mm focal length of this lens. On the other hand, the 100-400mm is a better lens for macro and landscapes. - Source: Internet
• Wonderful bokeh from $599.00 Buy from Amazon Sigma 35mm f/1.4 Art DG HSM Prime Lens for Nikon F-Mount Best Independent Wide-Angle Good value lens - Source: Internet
• The Sony FE 200-600mm f/5.6-6.3 G OSS is the best value Sony a7 lens you can get if you want to shoot subjects very far away from you, such as wildlife. Despite the mighty telephoto reach of this lens, there’s barely any compromise on image quality. - Source: Internet
• More importantly, this lens should have a wide maximum aperture — at least f/2.8 or wider. Otherwise, your shots are likely to come out grainy. Make sure that this lens is also sharp — preferably edge-to-edge — when shooting wide-open. - Source: Internet
• There are a lot of different factors to consider when choosing a lens for street photography. But the most important thing is to choose a lens that is fast and versatile. A lens like the Canon EF 50mm f/1.8 STM Lens is a great option because it is both fast and lightweight. - Source: Internet
• Thanks to its wide f/1.4 aperture, this is the best wide-angle lens for bokeh and low-light environments. You can enjoy shooting at slow shutter speeds without having to venture into noise-inducing ISO levels. - Source: Internet
• Aside from the lens flare, the Sony 16-35mm f/2.8 is my current favorite optic and arguably a key, best lens for Sony a7III cameras. If you want a very versatile wide-angle optic among Sony lenses for A7III cameras, this is an excellent choice! - Source: Internet
• Good video lenses should have a fixed aperture for smooth transitions and a wide max aperture (f/2.8 or wider) for beautiful bokeh and low-light performance. If you’re planning to vlog, go for a wide-angle lens with a minimum focus distance of around 0.30 m (1 ft) or less. - Source: Internet
• Tamron 28-75mm f2.8 G2 Lens: For a cheaper alternative, the Tamron 28-75mm F2.8 G2 lens is also highly recommended for those of you who are looking for a great all-around travel lens that is affordable while retaining 85% of the quality of what you get from premium lenses like the Sony GMaster lenses. - Source: Internet
• This Sony lens and the Sigma 24-70mm f/2.8 are both pricier than the Tamron 28-75mm f/2.8, but they also boast a more robust build. - Source: Internet
• There are, of course, plenty of other 50mm lenses available for the Sony FE-mount, but the F/1.2 GM stands out not only for its relatively compact size and exceptional optical performance but also for being Sony’s only f/1.2 lens. - Source: Internet
• But, as that old chestnut goes, the best camera is the one you have on you. And by all accounts the Sony a7 III is an excellent camera. Despite it not being as small as I’d like, it feels good in my hand. - Source: Internet
• Both this Sony lens and the Sigma 24-70mm f/2.8 have better build quality than the Tamron 28-75mm f/2.8, which is another reason why they’re pricier. - Source: Internet
• With this lens’s wide aperture and focal length, you can also take very decent casual portraits. With that said, if you’re serious about portrait photography, the Sony FE 85mm f/1.8 is an even better budget portrait lens for the Sony a7. - Source: Internet
• Without doubt, the Sigma 14mm f/1.8 Art is one of the best ultra-wide angle lenses ever made to this date. This lens has been available in both Canon, Nikon and Sigma mounts for some time, but now Sigma has adapted this lens for Sony E-mount. So you are basically getting an SLR designed lens with an adapter bolted on, this means that it does retain its considerable size and weight. - Source: Internet
• Quality-wise, it’s a great lens. We definitely recommend it over the Sony 12-24 and if you can live without 35 mm, also over the Zeiss 16-35 or the Sony G Master. And last but not least, the lens is also comparatively affordable at around 1,450 euros. - Source: Internet
• The Sony FE 24-70mm f2.8 GM II lens’s optical performance is also outstanding with its corner-to-corner sharpness, excellent build-quality, and with its fast aperture at F2.8, the lens can produce some stunning bokeh and subject separation while allowing you to produce sharp images even when the lighting is poor. - Source: Internet
• What’s more, autofocus is very accurate, fast, and practical. All it takes to switch between manual focus and autofocus is pushing the focus ring out or pulling it back in. It’s all very intuitive — there’s no need to flip a switch (there’s not even an AF/MF switch on this lens!). - Source: Internet
• – Light Edition. Only ever used once in 2012 to designate a particularly lightweight lens design. OSS – Optical SteadyShot is Sony’s name for in-lens image stabilization. - Source: Internet
• Autofocus on this lens is fast, reliable, and completely silent. Moreover, you’ll barely see any distortions, ghosts, or flare. While you’ll see strong vignettes at wider f-stops, they can be easily removed in post-processing via Lightroom. - Source: Internet
• The image quality of this lens is incredibly close to the Sony FE 24-70 F2.8 G Master lens, which is mind blowing considering the G Master costs double the price! This is Tamron’s first native lens for Sony E-mount and I most definitely hope that it’s the first of many. I don’t own this lens but would certainly like to. - Source: Internet
• Autofocus is fast and reliable on this lens, even with moving subjects. This lens is also impressively sharp in the center, even when shooting wide open at f/2.8. It delivers incredible performance in low light, too, and has minimal distortions. - Source: Internet
• The lens is sharp across the frame even when wide-open at f/2.8. It’s well built and despite its heavy weight (1480g) it handles well on the Sony a7iii body. The autofocus is extremely fast and it will rarely miss the shot. - Source: Internet
• Tamron continues to produce great mirrorless lenses, and the 70-180mm f/2.8 Di III VXD Lens is another big hit. Though this lens’s focal length range falls short of the competing 70-200mm models, the range provided is perfect for portraits. This lens delivers great image quality from a compact and affordable package. - Source: Internet
• With its focal length of 14 mm, the lens falls into the wide-angle category. It offers incredible image quality, but at a very high price. You should expect to pay about 1,500 euros. - Source: Internet
• Looking for a complete review of the Sony 16-35mm F2.8 GM lens? Check out:A Traveler’s Review: Sony 16-35mm F2.8 GM Lens - Source: Internet
• The second Sigma Art lens is a top-notch portrait lens. With a focal length of 105 mm and an aperture of f/1.4 it allows for wonderful bokeh and leaves nothing to be desired. - Source: Internet
• This lens is a much more recent addition to my camera bag. When the Sony 35mm f/1.8 was released I immediately knew it would be added to my kit. - Source: Internet
• The Tamron 70-180mm f/2.8 Di III VXD is the best lower-priced alternative to the previously mentioned Sony 70-200mm f/2.8 and the top value f/2.8 telephoto zoom lens in the market. - Source: Internet
• Best of all, the price of this lens is more than half of the Sony 16-35mm F2.8 GM lens, making it one of the best value wide-angle lens you can get. With such an extremely attractive price point, this Tamron lens even had a Sony avid fan like myself think twice about buying the 2000+ USD GM lens over the 900~ USD Sigma lens. If you are looking for an affordable landscape/architecture lens for your Sony camera, this lens is a great option to consider. - Source: Internet
• Thanks to its focal length and wide aperture, this lens also takes amazing casual portraits. However, if you’re serious about portraits, check out the Sony FE 85mm f/1.8 — it’s an even better budget portrait lens for the Sony a7 IV. - Source: Internet
• The ultimate telephoto lens for image quality, bokeh, and low-light performance. This lens is ultra-sharp and perfect for shooting indoor events like sports and stage performances. CHECK PRICE ON AMAZON - Source: Internet
• – You can consider this the kit lens for professional photographers. They’re much more expensive than the 18-55mm option, but they also provide better quality. 12-24mm – Need a speciality zoom lens that takes ultra-wide-angle shots? Then this a great option to consider. It lets you take photos in small spaces without any issues. - Source: Internet
• In addition, it’s a great low-light lens for capturing low-lit interior architecture and starry night skies. This Sony lens also produces truly stunning bokeh, allowing you to create gorgeous creamy backgrounds. Autofocus is fast, accurate, and nearly silent. - Source: Internet
• a7III + 90mm F2.8 G Macro @ 1/1600 | f/2.8 | ISO 160 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
• a7R II + FE 16-35mm F2.8 GM @ 30sec | f/6.3 | ISO 400 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
• This lens isn’t cheap, though. There’s also some vignetting when shooting wide-open, although that can be easily fixed on Lightroom. Its f/4 aperture also makes it less of a low-light performer than the previously mentioned f/2.8 zoom lenses. Bokeh also isn’t as smooth. - Source: Internet
• A good mid-range zoom is a must for almost every kit, but finding one of the best Sony lenses for less than $1000 isn’t so easy….that is, until Tamron came out with the 28-75mm f/2.8 Di III VXD G2. - Source: Internet
• To capture subjects far away from you, you’ll need a telephoto lens, which typically has a minimum focal length of 70mm. You can also get a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony a7 telephoto lenses. - Source: Internet
• If you’re looking for the best value portrait lens, the Sony FE 85mm f/1.8 takes the cake. This lens is ultra-sharp, produces beautiful bokeh for blurry backgrounds, and has the perfect focal length for portraits. On top of that, it’s also very small and lightweight. - Source: Internet
• This is a big lens and it weighs 2115g without tripod mount and is 318mm in length. It’s also an internal focusing lens and the short zoom throw makes going from 200mm to 600mm a breeze. Because it doesn’t extend it also balances very well on a gimbal. - Source: Internet
• 35mm – Those with crop sensors often use this lens. It then becomes closer to the ideal 50mm focal length. It’s also a favorite of full frame users as well. It’s an ample frame size that allows you to capture enough of the scene without needing to step back too much. - Source: Internet
• This lens is also super user-friendly. To switch between autofocus and manual focus, you just need to push the focus ring out or pull it back in — there’s no need to flip a switch. This lens is also fantastic for low-light situations and shows no distortions, ghosts, or flares. - Source: Internet
• The Sony FE 100-400mm f/4.5-5.6 GM OSS is the absolute best super-telephoto zoom lens you can get in terms of image quality, performance, and versatility. As a matter of fact, it also doubles as a macro lens thanks to its maximum magnification ratio of 0.35x. - Source: Internet
• This is also a great low-light lens. You can expect high-quality results even when shooting indoors or at dusk. Its zoom range and wide aperture make it perfect for videos too. - Source: Internet
• 35mm is a very important focal length to me, this is also why I have reviewed so many 35mm lenses: to find the one that best fits my needs. The best allround 35mm lens I think exists is (still, even after the release of the Voigtlander 35mm 2.0 E Apo-Lanthar) the Voigtlander VM 35mm 1.7, which unfortunately suffers a bit on the Sony filterstack unless you use a 5m PCX filter, which makes it an astonishing lens even on Sony cameras. - Source: Internet
• As you will have probably noticed that this lens has found its way into 3 different categories. It’s not only a great lens for landscape, interior, and environmental portrait photography, but with its wide-open aperture of f/1.4 it also excels at astrophotography. - Source: Internet
• If we had to find a downside, it’s that this lens isn’t the most affordable option, especially if you compare it to the much cheaper Sony FE 50mm f/1.8. However, the latter lens suffers from slow autofocus, and at the end of the day, you get what you invest in. - Source: Internet
• – Do you want to get more story into your photo? Then consider wide-angle lenses. You might not want to go as wide as a fisheye, but a wide-angle can be fun as long as you control the distortions. Long focal length – Do you prefer a tighter crop? Longer focal lengths will compress the scene. And they also allow you to stand further back so you’re less noticeable. Something like this Canon EF 135mm f/2L is a great camera lens if you want something slightly longer. - Source: Internet
• Looking for a top-notch everyday zoom lens? Look no further than the Tamron 28-75mm f/2.8 Di III VXD G2. It’s super sharp, versatile, and the best value entry-level lens. - Source: Internet
• As you can come to expect with the Sony GM lenses, the image quality produces with this lens is extremely sharp from corner to corner. The F2.8 aperture allows you to use the lens in any condition which is great for travel as you are often shooting in an uncontrolled environment. This lens is also perfect if you like shooting during sunrise or sunset, as well as astrophotography. - Source: Internet
• A blurred background will make your portrait subjects pop. Longer focal length lenses will make blurring away a distracting background easier, as will wide apertures. The wide apertures will provide a reduced depth of field, so the depth of field vs. background blur must be considered. I like the mouth and both eyes to be in focus minimally. - Source: Internet
• Macro lenses have a 1:1 magnification ratio and typically, a minimum focusing distance of around 0.30 m (0.98 ft) or less. This allows you to get extremely sharp and detailed close-ups of microscopic subjects. - Source: Internet
• (Check out the Sony 24-70mm f/2.8 review for some more shots taken with this lens paired with a Sony a7III.) - Source: Internet
• The Sony Sonnar T* FE 35mm F2.8 ZA is a small beautiful lens that really excels at environmental portraiture and street photography. This 35mm f/2.8 lens is very sharp even when wide-open at f/2.8, bokeh is very pleasing and distortion is very well controlled. - Source: Internet
• Let me start by declaring that I’m a prime lens shooter. I currently don’t own a single zoom lens. So if you’re a fan of packing something like a 16-35mm or a 24-70mm lens, then simply search online because there aren’t many choices at this time so there really isn’t much point in discussing options. - Source: Internet
• Years ago, I lugged around a Nikon D90 in a canvas manpurse strapped across my chest like Chewbacca. While the Sony a7 III isn’t small enough to fit in a pocket, even with a small and light lens like the Samyang 35mm f/2.8, its dimensions:features:image quality ratio seems to be just right. And it is light enough to keep tethered to my wrist all day while walking the streets or attached to my belt using the Peak Camera Clip. - Source: Internet
• Overall, image quality is very impressive. You won’t notice much difference between this lens and the above-mentioned Sony 70-200mm f/2.8 unless you’re a professional. - Source: Internet
• To help you decide on the best lens for your intended use, I’ve categorized the lenses into the following groups. Please note that there is a little duplication between the groups but this should hopefully make it much easier for you to find the lens that you are looking for. You can click any of the below links to jump to the type of lens that interests you the most. - Source: Internet
• 18-55mm – This is the most common focal length range for kit lenses. It offers a good variation from wide to zoom. But in general, they also have the most inferior quality when it comes to optics. Nonetheless, they’re the right choice if you’re on a budget. - Source: Internet
• An incredibly sharp super-wide-angle lens that’s perfect for both landscape shots and astrophotography. It boasts spectacular image quality and a weather-sealed build. CHECK PRICE ON AMAZON - Source: Internet
• At 600mm this lens is sharper than the Sony FE 100-400 + 1.4x is at 560mm. At 400mm this lens is also a touch sharper than the 100-400 which considering it’s a G lens and not a GM lens is really quite something. - Source: Internet
• Looking for a complete review of the Tamron 70-300mm lens? Check out:A Traveler’s Review: Tamron 70-300mm F4.5-6.3 Di III RXD - Source: Internet
• Offering the extremely popular 35mm focal length and ultra-wide aperture combination in the flagship GM professional-grade lineup seemed a no-brainer. The other no-brainer, at least to many, is the decision to purchase this extremely high performing, relatively compact, lightweight, and affordable lens. Its review-time best seller ranking attests to that statement. Just get this lens. - Source: Internet
• For a comparison with the Sony 24-70 F2.8 GM lens and the Tamron 28-75 F2.8 see this video from Gerald Undone. - Source: Internet
• – Gold Series lens. Sony’s second-highest lens tier. GM – Gold Master, more commonly “G-Master” lens. Sony’s highest-tier lens. - Source: Internet
• Sony FE 40mm F2.5 G Lens: For a cheaper alternative to the Sony 35mm GM lens and the one that fits better with the smaller form factor, the Sony FE 40mm F2.5 G lens is definitely worth your consideration. - Source: Internet
• The Sony FE 16-35mm f/2.8 GM with very little coma and distortion is a great lens for astrophotography. This certainly isn’t a lightweight lens though as it weighs in at a hefty 680g. Thankfully the build quality is excellent and it’s weather sealed against dust and moisture. - Source: Internet
• We’re proud owners of a Sony Alpha 7II and we would never want to part without this great camera. In this guide we’ll show you which lenses are available for the Alpha 7 series. If you’re looking for the perfect full-frame lens for E-mount cameras, you’ve come to the right place! - Source: Internet
• If you’re looking to travel with your Sony a7 IV, you’ll want a small and lightweight lens that’s easy to carry. A good, versatile zoom range might also come in handy if you want to shoot a variety of things. Here are the best Sony a7 IV lenses to bring to dream destinations. - Source: Internet
• A Carl Zeiss lens is a lens made by Sony using Zeiss design and technology. It uses the Zeiss quality standard, which focuses on resolution and contrast. (Sony partnered with Zeiss for two decades before making their first GM lens in 2016.) - Source: Internet
• The Sigma 14-24mm f/2.8 DG DN Art is an amazing choice for you if you want a zoom lens that’s even wider than the above-mentioned Sony 16-35mm f/2.8 GM. - Source: Internet
• While the Tamron 28-75mm f/2.8 is our top pick, there are many other fantastic Sony a7 IV zoom lenses out there. Here are our other top choices. - Source: Internet
• Looking for the best wide angle lens for Sony a7? Look no further than the Sony FE 16-35mm f/2.8 GM. This high-performance lens is razor sharp at every setting, focuses very fast, and has a practical zoom range perfect for a variety of wide-angle situations. - Source: Internet
• The Sony 24-70mm f/2.8 was designed with quality and performance in mind. If you want the best quality in a mid-range zoom and aren’t concerned about size/weight, it’s an excellent choice among lenses for a7III cameras. - Source: Internet
• Note that because of its low price, this lens has rather slow and noisy autofocus. If you want to catch every fleeting moment and shoot fast, you’re better off with the Sony FE 28mm f/2.0, a budget lens that focuses faster and that’s great for everyday shots, too. - Source: Internet
• If the Sony FE 85mm f/1.8 is too slow for you and you have a bit more to spend, take a look at this beautiful 85mm f/1.4 Art lens by Sigma. - Source: Internet
• The Sony FE 70-200mm F2.8 GM OSS is the absolute best telephoto zoom lens for any Sony full-frame mirrorless. If you’re after the most top-notch image quality and performance, look no further than this lens. - Source: Internet
• On the downside, this lens has a much shorter focal range than the Sony 16-35mm f/2.8 GM, so it can be limiting. All in all, it’s a top-value choice for those looking to shoot ultra-wide. - Source: Internet
• – The most apparent issue with prime lenses is that they don’t let you zoom in. If you need to take close-ups, you need to get close to your subject. Not as user-friendly – Beginners are used to zooming in all the time. That’s why most of them need time to practice using a prime lens. Not to mention, they have to constantly dismount and change their lenses in the field if they want to capture a different perspective. - Source: Internet
• The Tamron 28-75mm f/2.8 Di III VXD G2 is a top-notch and well-rounded lens that’s perfect for beginners. This multi-purpose lens is an excellent choice for general everyday shots. - Source: Internet
• Bear in mind, though, that not all lenses are compatible with the best teleconverters. By using them, you’ll also be reducing the maximum aperture of your lens, and sometimes, the general image quality of your shots. Here are the best two teleconverters for Sony a7 cameras. - Source: Internet
• Despite its small size, there’s very little compromise on image quality. This lens is ultra-sharp even at f/2.8 across the whole frame. Bokeh is beautifully smooth especially if you shoot wide open, although you might see some onion rings from time to time. - Source: Internet
• I’m sure you can find an article that describes the detailed specs of how the Sony 28mm f/2 performs, but photographers who make great pictures rarely worry about these details. To summarize, this lens has minimal issues and generally delivers excellent performance. It’s a definite contender for being one of the best lenses for the Sony a7III. - Source: Internet
• For a lens of its kind, it’s very lightweight and travel-friendly. In fact, it weighs a whopping 670 g (23.6 oz.) less than the Sony 70-200mm f/2.8! Despite its smaller size and weight, it makes no compromises on image quality. - Source: Internet
• What’s considered budget-friendly is quite subjective. Some of these lenses are cheaper than others. Regardless, they’re the most affordable high-quality lenses for their categories. - Source: Internet
• For example, attaching a 50mm full-frame lens to an APS-C camera will make the lens act more like a 75mm or 80mm lens. (The focal length of the lens itself doesn’t change.) This can be super useful if you want more of a super telephoto effect but don’t want to pay for something that expensive. - Source: Internet
• The Minolta MD 2.8/35 is a good lens if you like to focus manually and work on a very limited budget. Optically it is about as good as the much smaller modern 2.8/35s. It can deliver very good results even on high resolution sensors. - Source: Internet
• Very compact and light from $125.00 Buy from Amazon Nikon AF-S FX 50mm f/1.8 Prime Lens Best Nikon 50mm Prime Lens Inexpensive prime lens - Source: Internet
• How much should you spend? If you are on a very tight budget but a competent photographer you will get very good results out of a $50 lens but you will have to deal with a few scenarios where you would have gotten better results with a more expensive lens. But keep in mind we all know that guy who reliably gets bad results out of his $4000 Leica lens. Since available income differs so much it is impossible to give a general recommendation here but it is a good idea to consider how much you will use a lens, how much joy you will get out of using it and count that against much how much you will miss the money it cost you. - Source: Internet
• Still, despite this lens being adapted from their SLR versions, it is a beautiful lens that costs almost half the price of the Sony FE 90mm F2.8 G OSS macro lens. The images that it produces are razor sharp across the frame, chromatic aberration is well controlled as is distortion. The bokeh is silky smooth and the lens feels like all Sigma Art lenses do, extremely well built! - Source: Internet
• The Voigtlander 110mm F2.5 Macro APO Lanthar is an incredibly sharp macro lens that offers the Sony FE 90mm F2.8 G Macro lens a good run for its money. With a comfortable working distance of 17cm and superb build quality, this lens is most definitely on my wish list. - Source: Internet
• The Sony 100-400mm f/4.5-5.6 is also not the best lens for shooting in low light. Because of its narrow max aperture, focusing on small subjects in low light can be difficult and slow. - Source: Internet
• With a focal range of 200-600mm and a maximum aperture of f/6.3 at 600mm this lens will help you to get closer to wildlife than ever before. If 600mm is not long enough then you can also add the 1.4x or 2.0x teleconverters. - Source: Internet
• The first portrait photography concept that needs to be understood is perspective. If the camera is too close to the subject, the part of the body closest to the lens, usually the nose, is going to appear too large relative to the rest of the body. This effect is due to perspective distortion. Move in too close, and the subject may become uncomfortable with you in their personal space, creating a tension that does not photograph well. - Source: Internet
• There is no best 35mm lens for everyone, since individual needs are so different. This is why you won’t find any ratings in terms of stars or points out of 5 in this guide. Instead here are 5 questions to help you reflect on what you need in a 35mm lens. If you already know what you need you can skip to the lenses discussion directly. - Source: Internet
• Nearly every lens be used as a portrait lens. Lenses with focal lengths ranging from 12mm through 600mm can be used to capture the world’s most valuable (but not always the most cooperative) subject: people. Still, not all lenses are good choices for all portrait photography, while some lenses seem explicitly made for this purpose. - Source: Internet
• The lens has a variable aperture of F4.5-5.6, an extremely fast and silent autofocus motor, and the build quality would make some Ferrari’s blush. The lens is also weather sealed against dust and moisture so you won’t need to pull out your plastic bag when the rain comes down. - Source: Internet
• When you compare the somewhat steep price point with having a series of prime lenses, the Sony 24-70mm f/2.8 becomes a lot more affordable. It also offers the advantage of not having to switch lenses to get a variety of focal lengths. - Source: Internet
• At one point or another, almost everyone wants a mid-range zoom lens. When Sony released the 24-70mm f/2.8 GM lens in 2016, it was immediately apparent that quality was their number one priority with this edition! - Source: Internet
• However, I am very tempted to sell it so that I can afford the Tamron 28-75mm F2.8 Di III RXD lens. So my recommendation would be to buy the Tamron if you don’t want to spend the money on the GM 24-70 lens. - Source: Internet
• The performance of the Sony 55mm f/1.8 is excellent and pairs especially well with the Sony a7III. It has a useful focal length, offers spectacular sharpness and great contrast, and it produces smooth bokeh when shot wide open. - Source: Internet
• The Sony FE 100mm F2.8 STF GM OSS lens is a very unique lens in the Sony FE lenses line-up since it includes a built in apodization (APD) filter. This is a clear glass filter that progressively darkens similar to a neutral density filter as you get further away from the center of the lens. - Source: Internet
• This lens shows impressive central sharpness, even when shooting wide-open. It also performs really well in low light thanks to its wide aperture, allowing you to capture stunning starry night shots. Bokeh is also beautiful and smooth. - Source: Internet
• I also had a Sony 50mm f/1.8 “nifty fifty,” which I used 99% of the time prior to this trip, and an aftermarket Samyang 35mm f/2.8. I never attached them to my camera while in Bordeaux because 1) I wanted to put the new Sony 40mm f/2.5 G through its paces and 2) the Sony 28mm f/2 was the widest lens I had. - Source: Internet
• And yet another 35 mm prime lens from Sony. This lens excels with its incredible lens speed of f/1.4. However, that also means it’s very bulky and heavy. - Source: Internet
• It may take a while to master focusing on this lens, but once you do, you’ll absolutely fall in love with what it can do. (The key is to understand that it was built for Macro photography, not so much as a multi-purpose lens.) - Source: Internet
• The images it produces have excellent color, contrast and impressive sharpness across the frame. Sadly the lens is not weather sealed like its larger GM brother, so you need to be a little more careful when the rain comes down. I also own this lens myself although it is collecting dust since I picked up the GM version. - Source: Internet
• a7R III + FE 85mm F1.8 | @ 1/400 | f/1.8 | ISO 100 | Cropped | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
• On the downside, this lens is quite costly for a lens of its type. There are also some visible chromatic aberrations at wider apertures, especially if there’s a high contrast between the subject and the background. However, this is easy to remove with Adobe Photoshop. - Source: Internet
• Rokinon AF 14mm f/2.8 FE ($849): An excellent performer! Great quality and a much better price than the native lenses. Blending an ultra-wide angle of view with a relatively fast f/2.8 aperture, this 14mm lens makes a great option for Sony shooters looking to get a unique perspective that is well suited to architecture, landscapes, and more. UMC anti-reactive coatings, three Aspherical and two ED lens elements combine to attenuate chromatic and spherical aberrations for outstanding image clarity, contrast and color fidelity with high resolution from the center to the corners of the image. - Source: Internet
• When selecting a portrait lens for your Sony camera the most important distinction to understand is that Sony makes two different styles of lens mount. A mount lenses fit on Sony’s now-discontinued A-series DSLRs, but they will also work on mirrorless cameras with one of Sony’s adapters. E-mount lenses have a shorter flange distance, so they fit on Mirrorless cameras like the A6500 and the A7 series. It’s important to know that not all E-mount lenses work with every E-mount camera. Some are designed for smaller APS-C cameras, which means they don’t create an image big enough to cover a full-frame sensor. - Source: Internet
• This lens shows impeccable image quality. It delivers edge-to-edge sharpness throughout the aperture range, especially wide-open at f/1.4. It also autofocuses quickly, accurately, and pretty much silently. - Source: Internet
• Overall, this lens performs really well. It’s impressively sharp in the center even when shooting wide open, has minimal distortions, and is great for low-light situations. Autofocus is fast, reliable, and tracks moving subjects well. - Source: Internet
• Under good lighting conditions, autofocus is very quick, smooth, and quiet. It also effortlessly tracks fast-moving subjects. Under dim lighting, though, this lens focuses quite slowly and can hunt for a while. Due to the narrow aperture, bokeh also isn’t the smoothest. - Source: Internet
• This lens is razor-sharp edge-to-edge, even when shooting wide-open at 400mm. Autofocus is incredibly fast, accurate, and silent. It also has no trouble tracking moving subjects, which is quite important for wildlife and sports shots. - Source: Internet
• When Tamron launched their 28-75mm F2.8 Di III RXD for Sony E-mount they really hit a home run. This lens has been sold out everywhere since launch and it’s really not surprising since it offers excellent sharpness and autofocus performance in a compact and lightweight body. - Source: Internet
• This lens is also compatible with the Sony FE 1.4x and 2.0x teleconverters helping to extend its reach up to 280mm with the 1.4x and up to 400mm with the 2x. - Source: Internet
• The build quality is as good as it gets for a Sony lens and it is weather sealed against dust and moisture. It is really only the autofocus performance that lets this lens down a little, as it’s most definitely not the fastest. However, eye auto focus works well and unless your subject is moving very fast you shouldn’t have any issues with nailing razor sharp images. - Source: Internet
• Tamron 70-300mm F4.5-6.3 Lens: For those of you who are looking for a more compact and affordable option for a wildlife lens, I can’t recommend the Tamron 70-300mm F4.5-6.3 lens enough. - Source: Internet
• While the Tamron 28-75mm f/2.8 is our top pick, there are many other stellar Sony a7 zoom lenses out there. Here are our other top choices. - Source: Internet
• The Sony FE 55mm f/1.8 ZA is one of the sharpest Sony lenses out there and delivers impeccable photo and video quality. Perfect for both videos and portraits, it’s also pretty multi-purposeful. - Source: Internet
• – Most zooms (especially your kit lens) are cheaper than prime lenses. If you don’t have the budget to buy several street photography lenses, then this is the best choice for you. Ease of use – The concept of a zoom lens is easy to understand. It lets you capture wide shots to close-ups with a twist of the lens barrel. - Source: Internet
• Being too far away from a subject brings other problems. Facial features may become too compressed in appearance, and being too far away complicates communication. Longer focal length lenses require more working distance than their wider counterparts, and physical obstacles can inhibit the necessary line of sight. - Source: Internet
• The only downside to this lens is that it’s in the pricier range. However, it’s still the least expensive, lightest, sharpest, and best 24mm f/1.4 ever made — it’s worth every penny of its price tag, especially if you’re serious about low-light wide-angle photography. - Source: Internet
• Prime lenses come in a variety of focal lengths, but the 85mm is the most classic portrait option. A lens with this focal length allows the photographer to be farther from their subject and capture a headshot style portrait or a full body portrait without adding distortion to the image. It’s popular with portrait photographers because of its flattering perspective. - Source: Internet
• By creating the Sony FE 24mm F1.4 GM lens Sony has proven that you can build an excellent lens into a very small package. The lens is extremely well built, weather sealed against dust and moisture and weighs in at only 445 g. - Source: Internet
• Sony FE 24-105mm f/4 G OSS ($1,298): Ideal Travel and Walkaround Lens for Sony a7 III. Sony’s new FE 24-105mm F4 G OSS lens delivers excellent corner-to-corner sharpness throughout the entirety of its zoom range, while also producing beautifully rendered ‘bokeh’ or background defocus at all focal lengths. This lens also features fast, precise and quiet autofocus capabilities in both still and video shooting, making it an ideal complement for versatile shooting such as landscape, portrait, wedding and so on. - Source: Internet
• Years ago, I never thought I’d pen an article about the best lenses for autofocusing while shooting street. That is aside from the fact that I never expected those lenses to be from Sony. But they dominate the field by and large when it comes to autofocus algorithms in their Sony a7 and A9 lineup of cameras. Combine this with fantastic lenses that are small, affordable, and boast great image quality. There is almost nothing bad that you can say about these lenses: we strongly recommend them. - Source: Internet
• The lens is sharp from 24mm all the way up to 105mm even when you are shooting wide open at f/4. If you like MTF charts then Roger Cicala has some over at LensRentals.com. Sony has really gone to town on this lens and it certainly shows. I don’t own this lens myself, but if I had money to burn I would certainly pick one up. - Source: Internet
• The 1.4x will extend the reach of the 70-200mm GM lens to 280mm and the 100-400mm GM and 400mm GM lenses to 560mm on a full frame camera like the a7iii, but it will do so by sacrificing one stop of light. Fortunately this does not slow the autofocus speeds of these lenses, however you will notice increased vignetting in the corners wide-open and also a little more software in the images. - Source: Internet
• Bear in mind, though, that not all lenses are compatible with the best teleconverters. By using them, you’ll also be reducing the maximum aperture of your lens, and sometimes, the general image quality of your shots. Here are the best two teleconverters for the Sony a7 IV. - Source: Internet
• One of the sharpest lenses Sony has ever made. With this prime lens, you’ll never have to sharpen photos in post-processing again. Bokeh is also super smooth and creamy. CHECK PRICE ON AMAZON - Source: Internet
• The only real negative thing about this lens is the price. At $11,998.00 in the US or £10,499.00 in the UK, this lens will leave a very noticeable hole in your bank account. - Source: Internet
• The ultimate wide-angle lens for the best image quality. It has a flexible focal range, is razor-sharp, performs well in low-light situations, and creates stunning bokeh. CHECK PRICE ON AMAZON - Source: Internet
• Thankfully the build quality is excellent and it’s weather sealed against dust and moisture. The 11 circular aperture blades delivers ultra-smooth bokeh, focusing is fast and silent, and the sharpness is excellent across the frame. I own this lens myself and it very rarely leaves my gear bag. - Source: Internet
• Sony FE 90mm F2.8 Macro (Shot on a7R III) @ 1/500 | f/2.8 | ISO 320 | Cropped | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
• If the 85mm G Master is out of budget then you might want to look at the Sony FE 85mm F1.8 lens. This lens is not as large, heavy or as ridiculously sharp as its larger G Master brother, but it certainly does not disappoint. - Source: Internet
• First things first, this lens is ultra-sharp edge-to-edge throughout the zoom range, even wide-open at f/2.8. It delivers photos with extreme detail. It also focuses very fast and accurately without making any noise, which is especially handy for wildlife shots. - Source: Internet
• Note that this lens is quite expensive. The Sony 200-600mm f/5.6-6.3 comes at a lower price with 200mm more zoom reach, though it isn’t very good for macro shots. - Source: Internet
• Street photography is all about capturing life as it happens. And to do that, you need the right gear. So what is the best lens for street photography? - Source: Internet
• This lens is very user-friendly. To switch between autofocus and manual focus, all you need to do is push the focus ring out or pull it back in. There’s no need to flip an AF/MF switch like you’d have to do on most lenses. It’s very intuitive. - Source: Internet
• This lens is very sharp across the whole zoom range. While the corners are a bit softer than the center at all focal lengths, they’re still impressively sharp. Moreover, distortions, color-fringing, ghosts, and flares are all kept at a minimum level. - Source: Internet
• While this lens is not as sharp as the much more expensive Sony 100-400mm f/4.5-5.6 GM, it still shows impressive image quality. It delivers excellent central sharpness throughout the zoom range, although at 300mm, edge sharpness is quite poor. - Source: Internet
• The 70-200 f/2.8 image stabilized lens is one of the most critical zoom lenses in most photographers’ kits. Professionals and amateurs alike typically have this lens in their hands with high frequency. Professionals use it because there is no better lens available for many jobs, and amateurs use it additionally because this is the longest focal length available in an affordable, conveniently-sized f/2.8 lens. - Source: Internet
• If you go through the trouble of adding a 5m PCX filter this smokes many native lenses in several categories. It is one of the few true allround lenses that works well (if not very well) for almost every application you can think of for a 35mm lens. The only real disadvantage: it is not a native lens, which would make it even more enjoyable to use. - Source: Internet
• If you’re looking to travel with your Sony a7 camera, you’ll want a small and lightweight lens that’s easy to carry. A versatile zoom range will also come in handy if you want to shoot a variety of things. If you want to capture starry nights or architecture, consider a low-light lens too. - Source: Internet
• If you are going on a honeymoon trip or you would like to take photos of your partner while traveling then the Sony FE 85mm F1.8 lens is also great for you. If you like going on a safari or bird-watching, the Tamron 70-300mm F4.5-6.3 lens is a no-brainer. - Source: Internet
• When looking for the right lens to buy – especially from third parties – you’ll need to make doubly sure that you’re buying an E-mount lens for your Sony mirrorless camera. (Many third-party developers like Tamron and Sigma make the same lens for a variety of different cameras.) - Source: Internet
• Sony makes three different categories of lens: G lens, G Master lens and ZEISS lenses. G Master lenses are designed to offer ultimate resolution and beautiful bokeh, while the ZEISS lenses offer ultimate resolution and contrast. The line of ZEISS lenses were designed in collaboration with iconic lens maker ZEISS. The G and G Master series were designed exclusively by Sony. G Master lenses are some of the most precise lenses you can shoot with, but they tend to be a lot more expensive than the G lenses that Sony makes. - Source: Internet
• If you plan to shoot indoors (such as sports or performances), you’ll benefit from this lens’s excellent low-light performance. And while bokeh isn’t quite as smooth as that of the Sony 70-200mm f/2.8, it’s still very beautiful. - Source: Internet
• The Sigma 85mm f/1.4 Art lens also happens to be lighter, sharper, and quicker focusing than Sony’s GM version, all while costing a full $700 less. Many feel that its image quality also matches the GM, but that might be more a matter of taste. - Source: Internet
• Build quality is excellent and it weighs just 565 g, which is 47 g more than the popular Sony 16-35 f/4 FE lens. The lens has very impressive corner sharpness even when wide-open at f/4, there’s minimal distortion and almost no COMA for night photography. However with a widest aperture of f/4 the 16-35 F2.8 GM lens or the 24mm F1.4 GM lens are more likely to be the first choice for astro shooters. - Source: Internet
• For such a compact size and an affordable price point, it is hard to beat the Sony FE 85mm F1.8 lens when it comes to price-to-quality ratio. If I were you, I would get this lens instead of the Sony 85mm F1.4 GM lens, save more than half the money, and go and invest in adding other lenses to your arsenal. - Source: Internet
• Aperture – The aperture advantage of a prime lens is enormous. The quality of the glass is also much better. You’ll be able to photograph at f/1.2 with some lenses if you wish. - Source: Internet
• This is one of the Sony lenses that receives mixed reviews. Some people love it whilst others don’t rate is so favorably. I own this lens myself and although it’s certainly not as sharp as the GM version, the images it produces are sharp enough unless you really enjoy a good pixel peeping session. - Source: Internet
• Light, compact, and available for under $700, it’d be easy to assume that this was just a mediocre lens. In reality, however, the Tamron 28-75mm f/2.8 can more than pull its weight in both image quality and performance. - Source: Internet
• The Sony FE 2.0x Teleconverter extends the reach of some of the best Sony a7 IV telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing two full aperture stops. - Source: Internet
• Autofocus is insanely fast and reliable, making it easy to capture quick fleeting moments (such as during weddings). And with the Sony a7 cameras’ in-camera corrections turned on, you’ll see no distortions. Ghosts and flares are minimal, too. - Source: Internet
• If you’re looking to travel with your Sony a7 IV, you’ll want a small and lightweight lens that’s easy to carry. A versatile zoom range will also come in handy if you want to shoot a variety of things. If you want to capture starry nights or architecture, consider a low-light lens too. - Source: Internet
• Sony FE 85mm F1.8 Lens: Even though the Sigma 85mm F1.4 DG DN lens is the best portrait lens to get, it is not as light and affordable as this lens and if you are looking for a travel portrait lens that is the most compact and lightweight but capable of producing stunning bokeh, the Sony FE 85mm F1.8 is a much better option for you. - Source: Internet
• But it wasn’t all magic. I mentioned earlier that my time in Bordeaux with the Sony a7 III was a “crash course” and a “trial by fire.” This is true in the sense that there were times of frustration and failure. I failed to get the shots I envisioned on a number occasions. The reasons were because I wasn’t fast enough, courageous enough, or smart enough with my settings. - Source: Internet
• The Sony FE 85mm F1.8 lens comes at only 371 grams which makes for a lightweight setup when you pair it with your Sony a7IV and it costs only around 550 USD retail which is almost half the price of the Sigma 85mm F1.4 DG DN lens. - Source: Internet
• Despite being called a macro lens, the Sony FE 90mm f/2.8 Macro G OSS lens is also an excellent portrait lens and one of the sharpest lenses that Sony has ever built. DxOMark reviewed this lens and said that its outstanding, scoring higher marks than both the Canon and Nikon equivalents. - Source: Internet
• If you mainly use your 35mm lens for architecture or landscape shooting this is the one you are looking for. It offers very high contrast as well as resolution coupled with a good correction of almost all optical aberrations. It is in many ways the better Zeiss Loxia 35mm 2.0, but if you already have the Zeiss lens and you are thinking of upgrading: this only makes sense when you want to use the lens at wider apertures often. - Source: Internet
• Portrait photography requires serious skill. You need to establish a relationship with your subject, choose the most flattering light, and nail that perfect eye focus. Choose the wrong lens, though, and none of that matters. If you’re seeking the best Sony lens for portraits, it’s easy to hone in on the G Master glass. It’s undeniably beautiful, but it’s also big and expensive. - Source: Internet
• Another wide-angle lens from Sony. This one has very high-quality build, the product of excellent optical and technical workmanship. And the image quality is impeccable. - Source: Internet
• This lens is quite expensive. You can get the Sony 200-600mm f/5.6-6.3 for a lower price and get 200mm more zoom reach, although that’s not a good lens for macro shots. - Source: Internet
• The Sony FE 90mm f/2.8 Macro G OSS is the absolute best Sony a7 IV macro lens for shooting microscopic subjects such as insects, bugs, and water droplets. Moreover, this lens also doubles as a fantastically sharp portrait lens. - Source: Internet
• If the Sony 24-70mm F2.8 GM is out of budget or simply far too large and heavy for your style of photography, then the Sony 24-70mm F4 Vario-Tessar T* FE ZA OSS lens may be what you are looking for. The lens is very well built and weighs in at only 426 g which is half the weight of the GM version! - Source: Internet
• If you want to capture images of the sky at night then you will want a lens that works well for low light photography. Some of the most important characteristics of a good lens for astrophotography are a wide maximum aperture like f/1.4, but the lens should also be sharp at this wide-open aperture and offer decent corner resolution and coma correction. Low vignetting is important to, as is the ability to focus manually since autofocus is out of the question at night. - Source: Internet
• You can get this lens with an aperture of f/1.4 for less than 500 euros. The quality may not be on par wih the Sony lens, but it only costs a third of the price. - Source: Internet
• When it comes to wide angle zoom lenses, the selection is fairly limited. Sony has a total of three lenses on offer, which are very good but unfortunately also very pricey. Then there’s also one from Tamron and another from Sigma. - Source: Internet
• This lens is ultra-sharp edge-to-edge throughout the focal range. While bokeh is generally not a strong suit of lenses with such narrow apertures, this lens actually delivers really nice bokeh. Moreover, autofocus is fast, accurate, and practically silent. - Source: Internet
• The Tamron 17-28mm f/2.8 Di III RXD is the best wide-angle lens for you if you prioritize affordability and portability. It’s also an amazing lens for vlogging. - Source: Internet
• More importantly, this lens should have a wide maximum aperture — at least f/2.8 or wider. Otherwise, your shots are likely to come out grainy. Make sure that this lens is also sharp — preferably corner-to-corner — when shooting wide-open. - Source: Internet
• Its main competitor, the Sony 35mm f/1.8 is almost $350 cheaper but also slower. The Sony 35mm f/1.4 GM is a somewhat better lens optically, but a full $600 more. - Source: Internet
• This lens is razor-sharp edge-to-edge. Its wide f/2.8 aperture also allows you to get super creamy and smooth bokeh. Plus, it’s a great lens to work with in low-light conditions. - Source: Internet
• Wide-open at f/2.5 and the lens is already incredibly sharp both centrally and even towards the edges of the frame. Bokeh is very smooth and free from onion rings, although you will see some cat’s eyes which don’t really improve as you step-down. CA is extremely well controlled. - Source: Internet
• a7R III + Sigma 70mm F2.8 Macro @ 1/1000 | f/5.6 | ISO 500 | Cropped | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
• On top of all that, this lens is also very travel-friendly as it is lightweight and compact. With its f/1.4 aperture, there’s also no better wide-angle lens for creating beautiful bokeh. - Source: Internet
• In general, I’d highly recommend the Sony 35mm f/1.8 prime lens if you’re looking for a fast prime that can do anything well. It may not be the best lens for a Sony a7III or most Sony cameras, but it’s one of them and a key optic to keep in your collection. - Source: Internet
• If you’re planning to vlog, look for a wide-angle lens (max 35mm focal length) with a minimum focus distance of around 0.30 m (1 ft) or less so that you can easily stay in focus while talking to the camera. Here are the best Sony a7 lenses for videos. - Source: Internet
• This lens does show signs of coma from f/1.8 to f/2.5 and you might even see traces of coma at f/2.8 if you have very bright stars at the edges of the frame. However, coma is still not as prominent as on many other wide-angle lenses, and also you are unlikely to have very bright stars at the edge of the frame, so I still think it’s a very good choice for astro shooters. - Source: Internet
• Yes, you can connect a Nikon lens to a Sony mirrorless camera body. You just need a Sony E-mount adapter. For more information, see the section above. - Source: Internet
• To shoot subjects far away from you, you’ll need a telephoto lens, which typically has a minimum focal length of 70mm. You can also get a super-telephoto lens, which typically has a focal length of 300mm or more. Here are the best Sony a7 IV telephoto lenses. - Source: Internet
• The only real downside of this lens is its autofocus. It definitely hunts a bit if you’re too close to your subject or in super low light. It’s also not the quietest. Still, it functions great most of the time. - Source: Internet
• It offers all the top performance characteristics of a G-Master lens and produces spectacular images. The contrast and sharpness of this lens are spectacular – see more in Chad Winstead’s Sony 70-200mm f/2.8 review (the image above was taken by him). - Source: Internet
• Good everyday standard lens from $169.99 Buy from Amazon Tamron 24-70mm f/2.8 Di VC USD G2 Zoom Lens for Nikon F-Mount Best for Image Stabilization Constant f/2.8 maximum aperture - Source: Internet
• Despite the long focal length range, the Tamron 35-150mm f/2-2.8 Di III VXD Lens avails an ultra-wide aperture that is the widest or nearly so among zoom lenses at all focal lengths. The image sharpness produced by this lens will seal the deal for many portrait photographers. - Source: Internet
• – Full-frame E-Mount lens. G – Gold Series lens. Sony’s second-highest lens tier. - Source: Internet
• This lens can also tackle low-light situations really well. While the bokeh it produces isn’t quite as smooth as what you’d get with the Sony 70-200mm f/2.8, it’s still beautiful. Unless you’re a professional, you likely won’t even spot the difference. - Source: Internet
• This lens may be a bit pricey, but don’t let that deter you — it’s without a doubt the lightest and sharpest 24mm f/1.4 ever made (as well as the least expensive one). If you’re serious about low-light wide-angle photography, it’s very worth the investment. - Source: Internet
• This is a very small and light and decently sharp lens that is very attractive for someone who wants a lightweight 35 for hiking or similar purposes. While I expect the new Tamron 2.8/35 to be very likely an even better performer, it will be both much larger and 80% heavier. At its official price the Sony Zeiss was overpriced, but now it can often be found new at very attractive prices, and used at even lower ones. - Source: Internet
• The Sigma 70mm f/2.8 DG Macro Art is a lightweight and affordable macro lens that delivers razor-sharp results. If you want to take detailed close-ups of flowers, food, and other medium-sized subjects, then this lens will offer fantastic value. - Source: Internet
• The Sony 2x teleconverter (SEL20TC) is currently only compatible with the Sony FE 70-200mm F2.8 GM, Sony 100-400mm GM, Sony FE 200-600 G, Sony FE 400mm F2.8 GM and Sony FE 600 F4 GM lenses. It will not physically fit any other Sony E-mount lenses. - Source: Internet
• This lens delivers very sharp results in the center throughout the zoom range, even when shooting wide-open. It autofocuses very accurately, quickly, and quietly, which makes it great for wildlife shots. It also takes great portraits. - Source: Internet
• This lens is not only 2mm wider than the Sony 16-35mm f/2.8 GM; it’s also a lot more affordable, too. Moreover, its image quality is absolutely outstanding. - Source: Internet
• The portrait lens focal length decision should be based on the perspective you want, the subject framing desired, and the working space available. A wide-angle lens is best used for environmental portraits where your subject is shown along with their surroundings. Conversely, a long telephoto lens should be used for tight headshots. - Source: Internet
• I think the Nikon Nikkor 2.8/35 is a good option for those that like a well build manual lens but are running on a budget. The Nikkor is a decent landscape lens and I used it for that purpose a lot. It is optically in the same league as the Minolta MD 2.8/35, but build quality is nicer. - Source: Internet
• With outstanding imaging capability and high-speed performance contained in a compact body, the Sony a7 III (Amazon, B&H, Adorama) mirrorless camera gives you the power, precision, and flexibility to capture once-in-a-lifetime moments just as you like. efined for improved speed and low-light performance, the full-frame 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processor pair to realize an impressive 10 fps continuous shooting rate and improved autofocus performance for faster, more reliable subject tracking along with wide frame coverage. This updated Fast Hybrid AF System employs a combination of 693 phase-detection points and 425 contrast-detection areas for quicker acquirement of focus in a variety of lighting conditions, and also maintains focus on subjects more effectively. So, the Sony a7 III is an ideal full-frame mirrorless camera for enthusiasts, hobbyists and professionals alike. - Source: Internet
• We’d say that the Sony 135 mm is the better alternative to the Zeiss 135 mm. The main difference is the higher lens speed of f/1.8, which makes it much easier to create a bokeh effect. - Source: Internet
• The Sony FE 1.4x Teleconverter extends the reach of some of the best Sony a7 IV telephoto lenses to the following lengths. Keep in mind, though, that it’ll do so by sacrificing one full aperture stop. - Source: Internet
• Wide-angle lenses make good choices for astrophotography because they have a larger field of view (FOV). This allows you to capture much more in one shot, such as the Milky Way and also some foreground interest. Also the wider the angle of your lens the longer you will be able to expose for before star trails become a concern. - Source: Internet
• This lens produces impressive image quality, despite it not being as sharp as the more expensive Sony 100-400mm f/4.5-5.6. It delivers fantastic central sharpness throughout the zoom range, although corner sharpness at 300mm is rather poor. - Source: Internet
• Overall, this lens is truly a must-have if you’re serious about portraits. You’ll essentially get the same value as the premium Sony 85mm f/1.4 GM while paying much less and dragging around 450 g (15.8 oz.) less weight. - Source: Internet
• Looking for a complete review of the Sigma 85mm F1.4 DG DN Art lens? Check out:A Traveler’s Review: Sigma 85mm F1.4 DG DN Art Lens - Source: Internet
• For those of you who are looking for the best and lightest travel lens to buy for your Sony a7IV, this is the one to get. It is a little expensive but considering the impressive quality-to-size ratio, I think it is worth the price tag. This lens is truly the one lens to rule them all. - Source: Internet
• For a telephoto zoom of this caliber, this lens is also impressively compact and lightweight. Moreover, it can double as a macro lens thanks to its mighty focal reach and ability to focus very closely. Autofocus is accurate and fast under good lighting conditions. - Source: Internet
• 🔮 As you may remember from earlier, the Sony FE 100-400mm F4.5-5.6 GM is an amazing telephoto lens that also doubles as a macro lens. It’s another great option to consider if you’re planning to shoot wildlife or sports too! - Source: Internet
• Zeiss Loxia 85mm f/2.4 ($1,399): An ideal portrait-length lens characterized by its sleek form factor and impressive optical qualities. Despite its compactness the handy ZEISS Loxia 2.4/85, a moderate telephoto lens offers outstanding image performance – across the entire image field of a full-frame sensor. Be it for a portrait or a street or landscape shot, this inconspicuous lens is great for helping you master these photographic disciplines. - Source: Internet
• I carry this lens in my backpack 100% of the time and I have the Sony 16-35mm f2.8 GM Lens mounted on my Sony camera 85% of the time. It is really that good! If you are looking for the best lens to shoot landscape/architecture, I guarantee you, you are going to love this lens. - Source: Internet
• Feel free to start with the 50mm lens because it’s cheap. You can get one for less than two hundred dollars! After all, one of the tips on street photography involves using a 35mm or 50mm for optimal results. Once you try it, you’ll see the difference in quality right away! - Source: Internet
• The Sony FE 24mm f/1.4 GM is hands down one of the best prime lenses for Sony a7 IV simply because it’s rare to find a wide-angle lens with a maximum aperture of f/1.4. - Source: Internet
• While an f/2.8 aperture is not particularly large for prime lenses of this focal length, it is highly typical to macro prime lenses, and f/2.8 is a relatively wide (quick) aperture. - Source: Internet
• It comes in at a svelte 9.9 oz (281g) and balances superbly with the Sony a7III. At one point I thought I had lost this lens because I picked up my satchel and thought it wasn’t in there or had fallen out simply because it was so lightweight! - Source: Internet
• The Sony FE 24-70mm f2.8 GM II lens’s optical performance is also outstanding with its corner-to-corner sharpness, excellent build-quality, and with its fast aperture at F2.8, the lens can produce some stunning bokeh and subject separation while allowing you to produce sharp footages even when the lighting is poor. - Source: Internet
• Note that this lens offers 20mm less focal reach than the Sony 70-200mm f/2.8. This might be an issue if you’re planning to shoot very far away subjects. - Source: Internet
• The Sony FE 100-400mm f4.5-5.6 lens is not a small or compact lens in any sense but relative to the reach it gives you, this is as small as it gets. The lens is also one of the sharpest Sony lenses out there allowing you to capture crisp and clear images of wild animals like birds or the big five during a safari trip. - Source: Internet
• While not an f/1.4 lens, the f/1.8 aperture of this lens is still quite large, and the reasonably large aperture size allows for a compact, lightweight design, which has its own set of benefits. - Source: Internet
• The downside of this lens is that it does not deliver reliable low-light performance. It struggles to consistently lock focus under dim lighting. Plus, while it has a relatively accessible cost, it’s certainly not the cheapest option for a fairly slow lens. - Source: Internet
• For the price, the image quality of this lens is amazing. Photos come out startlingly sharp, nicely contrasty, and with great color. The bokeh is nice and creamy, and there’s nothing distracting in the out-of-focus areas. - Source: Internet
• The Sony Zeiss 55mm f/1.8 Sonnar T* lens is a huge favorite among many, many Sony shooters. Its excellent optics, strong autofocus performance, and compact size make it more than worth its price (which admittedly is a bit steep for an f/1.8). - Source: Internet
• Although the Sony FE 90mm f/2.8 Macro G OSS is a specialized macro lens, it doubles as a fantastic portrait lens as well. It’s also one of the sharpest Sony lenses ever made and will allow you to capture incredibly fine details on your subjects. - Source: Internet
• We were lucky enough to snatch up a bargain at a clearance sale, but even at full price, it’s a very affordable lens. The image quality is simply outstanding for the price, but unfortunately the autofocus is very loud and slow. If you can live with that, this lens is definitely a good investment at less than 200 euros. - Source: Internet
• – Need a speciality zoom lens that takes ultra-wide-angle shots? Then this a great option to consider. It lets you take photos in small spaces without any issues. 24-105mm – If you genuinely want an all-in-one lens, then this is the option we recommend. It can take both wide-angle shots and telephoto images. The downside is that they’re bulky and the image quality it produces is often inconsistent. - Source: Internet
• Tamron 70-180mm F2.8 (Shot on a7III) @ 154mm | 1/4000 | f/2.8 | ISO 250 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
• If you want a lens that can “do it all”, then look no further than the Tamron 28-200mm f/2.8-5.6 Di III RXD. This powerful multipurpose lens is essentially a wide-angle, standard zoom, and telephoto lens all at once. It truly offers spectacular value. - Source: Internet
• While this lens is relatively large, heavy, and expensive, it makes up for those shortcomings by covering an ideal-for-portraits focal length range typically requiring two lenses. The speed of focal length access is an image quality factor. Having instant access to disparate focal lengths enables fleeting opportunities to be capitalized on. Thus, by its focal length range alone, this lens has the potential to capture a superior set of images from an event. - Source: Internet
• Looking for the best portable Sony a7 wide angle zoom lens? The Tamron 17-28mm f/2.8 Di III RXD can’t be beat. This lens is the perfect travel-friendly gear, coming at almost half the weight of the previous two wide-angle zoom lenses. - Source: Internet
• Planar – Designed in the late 1890s, planar lenses have a symmetrical design, with the aperture placed in the middle of the elements. This allows the lens to stay sharp from center to corner at wide apertures, all with little chromatic aberration. Almost every 50mm lens has some element of Planar design in it - Source: Internet
• Some shooters prefer shorter lenses in the 50mm or 35mm range. These focal lengths are a great option for capturing environmental portrait photos because of their slightly wider field of view. Most portrait photographers avoid going any wider, as a wider angle portrait will start to add distortion to the features of your portrait sitter. - Source: Internet
• The thing I love most about my Sony 55mm f/1.8 lens is its mid-range focal length. It offers just enough field of view to capture a scene while delivering the ability to bring the viewer into the frame with a hint of compression. - Source: Internet
• Tamron 28-75mm f2.8 G2 Lens: For a cheaper alternative, the Tamron 28-75mm F2.8 G2 lens is also highly recommended for those of you who are looking for a great all-around travel lens at a more affordable price point. - Source: Internet
• On the downside, this lens might fall short if you’re looking to use your photos for very large prints or posters. In this case, either one of the previously listed wide-angle lenses (the Sony 16-35mm f/2.8 or the Sigma 14-24mm f/2.8) will provide crisper, sharper prints. - Source: Internet
• One of them is the 20 mm with an aperture of f/1.4. The lens is perfect for landscape and architecture photographs. It costs about 800 euros. - Source: Internet
• The lens is ideal for landscape photography. The image quality is outstanding, even with an open aperture. The lens is also protected against dust and splash water. - Source: Internet
• As expected, the 55mm f/1.8 offers excellent edge-to-edge sharpness throughout the aperture range. Sometimes sacrifices must be made to make a lens affordable, but I can’t seem to find anything to complain about with this model! - Source: Internet
• The Sony 14mm F1.8 GM lens is designed to do just that. With the ultra-wide focal length of 14mm, you will be able to capture the stunning landscape in all its glory while also retaining the expansiveness of the night sky all in one frame. - Source: Internet
• On the downside, autofocus is a bit slow, and even more so in dim lighting. That’s another reason why this is not the best lens for insects and bugs; these fast-moving subjects may fly away before this lens has had a chance to focus. This lens also isn’t weather-sealed. - Source: Internet
• One of Sony’s most impressive lenses so far. A 35mm 1.4 as small as the already small 24mm 1.4 GM – something no one here thought would be feasible. Better sharpness than anyone would ever need, good bokeh rendering. - Source: Internet
• A special effect lens with funky rendering at f/1.4, smoother rendering stopped down and lots of aberrations. It is pleasant to handle and affordable. Might be worth checking out if you are after different rendering but we can’t recommended it as a general purpose lens. - Source: Internet
• It’s quite bulky for a 50 mm lens, but the photo quality is excellent all around. The price isn’t exactly low at just under 1,400 euros. But then again, it’s certainly justified for a high-quality lens with Zeiss technology. - Source: Internet
• With a maximum aperture of f/1.4, this is one of the fastest lenses on this list. Apart from the beautiful bokeh it produces, it also performs well in low light. So it’s a no-brainer to use this for taking nighttime street photos! - Source: Internet
• Good build quality by modern standards but only average for a legacy lens. See Nikkor 2.8/35 if this is very important to you. - Source: Internet
• Quick final note: We receive several emails every day with questions about which lens is best for a specific purpose. We hope you understand that we just can’t answer them all. As a small company, we simply don’t have the time. If you have any questions, please leave us a comment below the post and we’ll try to get back to you as soon as possible. Deal? - Source: Internet
• Editor’s Choice Sony FE 50mm f/1.8 The best Sony lens for everyday photography on a budget. Great image quality and classic focal length (Also great as an 85mm lens on APS-C). CHECK AMAZON PRICE CHECK B&H PHOTO PRICE - Source: Internet
• It’s also a bit faster with a lens speed of f/1.2 and the image quality is exceptional. And so is the price. The lens currently sells for about 1,350 euros. - Source: Internet
• 🔮 The Sony FE 16-35mm F2.8 GM (the top overall Sony a7 IV wide-angle lens) is another amazing lens for astrophotography. It’s sharp edge-to-edge even wide-open and has minimal chromatic aberrations. - Source: Internet
• BEST ZOOM LENS Tamron 28-200mm F2.8-5.6 This powerful superzoom is a wide-angle, standard zoom, and telephoto lens all at once. It’s the most travel-friendly and affordable all-in-one lens for Sony a7 cameras. CHECK PRICE ON AMAZON - Source: Internet
• This was Sigma’s first Art lens and they really hit a home run with this one: nice build quality, good optics, decently priced. For most that want a 35mm 1.4 with AF this is probably the most sensible and trouble free option. - Source: Internet
• References: (1) https://digital-photography-school.com/brand-name-versus-third-party-photography-gear-which-is-better/ (2) https://www.sony.com/electronics/lenses - Source: Internet
• The Sony FE 200-600mm f/5.6-6.3 G OSS is the best value Sony a7 IV lens to get if you want to maximize focal reach and shoot very faraway subjects, such as wildlife. Despite the mighty telephoto reach of this lens, there’s barely any compromise on image quality. - Source: Internet
• Zeiss Batis 25mm f/2 ($1,299): Highly recommended! Ideal for architecture, landscape, and interior photography, this lens’ 82° angle of view pairs with a 7.9″ minimum focusing distance for producing creative perspectives and unique close-up imagery. Bright f/2 maximum aperture benefits working in low-light conditions and also offers control over the focus position when using selective focus or shallow depth of field techniques. - Source: Internet
• Why Trust Us? Our experience with lenses for Sony Alpha cameras and how we tested Your author Mark has been shooting weddings professionally with Sony cameras for several years, using many different Sony prime and zoom lenses, as well as 3rd party e-mount options. Co-author Usnea has been using Sony cameras for 6 years, shooting landscape, nature, action, and travel photography using primarily native Sony lenses. For testing, Mark used the latest Sony a7IV full-frame mirrorless camera to evaluate a selection of Sony FE-mount lenses and a Sony a6100 for lenses designed for the APS-C format. The recommended lenses in this guide were chosen based on Mark & Usnea’s own personal experience, results of lens reviews by our various Shotkit authors (also professional photographers), and over 120 hours of combined research and analysis. We are not sponsored by any of the brands that appear here, and our opinions are completely unbiased - in short, you can trust what we say! - Source: Internet
• While it comes with excellent build quality and quick, accurate autofocus, the real reason to buy this lens is for its speed and superb lowlight performance. Its f/1.4 maximum aperture is just about as fast as you can buy. - Source: Internet
• This lens has an ultra-wide f/1.8 aperture, and it produces wide-open aperture image quality that is better than most lenses can produce at any aperture. The results are simply outstanding. This focal length requires a moderate amount of working distance for full body portraits, but this angle of view provides a great perspective for even tight headshots. That background blur this lens can produce is awesome — ideal for portraiture. - Source: Internet
• For those of you who are looking for the best and lightest travel lens to buy for your Sony a7SIII, this is the one to get. It is a little expensive but considering the impressive quality-to-size ratio, I think it is worth the price tag. This lens is truly the one lens to rule them all. - Source: Internet
• The Sigma 85mm f/1.4 DG DN Art Lens is an aesthetically-beautiful, optically and physically high-performing lens in an ideal portrait focal length and aperture combination with a relatively small size, light weight, and low price. This lens delivers very sharp imagery, potentially with a strong background blur, without the burdensome size and weight of its predecessor and competitors, and with an affordable price. - Source: Internet
• We have nothing bad to say about third-party lenses in general. We actually use Tamron lenses ourselves and are very happy with them. So you might also want to consider going third party to take advantage of a wider range of options or better value for money. - Source: Internet
• Fast aperture prime lenses and zoom lenses can both be excellent options when shooting flattering portraits with a Sony camera. Ultimately the right portrait lens is different for every shooter and you should consider your budget and what else you might be using it for when selecting the right lens for you. An 85mm or 135mm prime lens is an excellent option for shooting beautiful portraits with your Sony camera, but might not be as versatile as a zoom lens. If you are tight on money or just starting out consider a prime lens from a third party company like Tamron, or the less expensive Sony G lenses. If you’ve been shooting for a while and looking to splurge a fancy G Master prime lens is a great piece of glass to add to your collection. - Source: Internet
• – This focal length isn’t everyone’s favorite, primarily if you’re not used to using it. The more experience you gain, though, the more this lens will seem best suited to street photography. This lens also offers a perspective close to what the human eye sees. Wide-angle – Do you want to get more story into your photo? Then consider wide-angle lenses. You might not want to go as wide as a fisheye, but a wide-angle can be fun as long as you control the distortions. - Source: Internet
• The Sigma 70mm F2.8 DG Macro lens for Sony E-mount (full-frame) is the first macro lens from Sigma that has been adapted to Sony E-mount. However, the word adapted here is very important since the E-mount version of this lens has been adapted from their Canon and Sigma versions that were originally designed for SLR cameras and not mirrorless. - Source: Internet
• These are the top lenses that are optimized for Sony Alpha APS-C sensor cameras, also known as having a ‘crop-sensor.’ They work on both older models from the Sony NEX range, as well as anything from the a6xxx range (e.g. a6100, a6400, etc.). - Source: Internet
• The Sony FE 70-200mm F2.8 GM OSS lens has a maximum focus range of 200mm, so your subject will need to be reasonably close if you want them to fill the frame. However, with a constant wide-open aperture of f/2.8, this is a great lens to use in low light situations or when you want the smoothest bokeh. - Source: Internet
• a7III + 90mm F2.8 G Macro @ 1/1600 | f/2.8 | ISO 250 | ** Full Resolution SOOC Download: JPEG | RAW - Source: Internet
• The Sigma 100-400mm f/5.0-6.3 has a complicated optical formula, expected when considering a telephoto zoom lens. - Source: Internet
• Want to shoot a sky full of stars? This lens can do the job too. It’s a fantastic low-light lens that’s useful for both dark skies and low-lit interiors. Moreover, it autofocuses very quickly, accurately, and quietly. - Source: Internet
• Price is the only hurdle keeping the FE 50mm f/1.2 GM out of lens kits. However, because this focal length and extreme-wide aperture are so useful, it makes sense to ensure the best quality lens providing such is in the kit. The Sony FE 50mm f/1.2 GM Lens is that lens. - Source: Internet
• If you want to take full advantage of your Sony camera’s precise autofocus capabilities and image stabilization tech, it makes the most sense to stick with Sony branded lenses. In recent years though companies like Tamron and Sigma have started making lenses specifically designed for Sony E mount camera bodies. Picking up a lens from one of these third party makers can be a great way to save some money if you are just starting to build your camera collection. - Source: Internet
• GM, or Gold Master lenses are Sony’s premium, top-of-the-line lenses. They’re designed to fulfill all professional requirements, from exceptional image quality and performance to weatherproofing and a superior design build. They are designated on the lens with a white G on an orange square. - Source: Internet
• At f/2.8, it’s not particularly fast, but what it loses in speed it makes up for in its particularly small size. (A faster lens would obviously be larger and heavier.) - Source: Internet
• The image quality is very good and the lens is extremely fast with a maximum aperture of f/1.4. Only the autofocus leaves something to be desired with this lens. - Source: Internet
• This completely professional-grade lens has impressive image quality, fast and accurate AF, and Optical SteadyShot in a solid, weather-sealed, fixed-size body. The wide f/2.8 max aperture allows action to be captured in low light and, combined with the telephoto focal lengths, allows the background to be blurred away. An added benefit is that this lens performs well with teleconverters, a great option for when you need even more focal length. This lens is not inexpensive, butthe version II lens is impressively lightweight. - Source: Internet
• The Sony FE 28mm f/2.0 is a very lightweight and travel-friendly budget wide-angle lens that’s especially good for landscape and architecture shots. Even though it’s affordable, it has a sturdy build quality and offers incredible value for money. - Source: Internet
• You can spend anywhere from $150 to $1500 for a 35mm E-mount lens. You can also adapt a good legacy 35mm for a little over $50. As a rule of thumb more money gets you better optical quality, better build quality, better reliability and faster lenses. There are some rather embarrassing exceptions to this rule of thumb in the E-mount 35mm lineup though. - Source: Internet
• Sony FE 85mm F1.8 Lens: Even though, the Sony FE 85mm F1.4 GM lens is the best portrait lens to get, it is not exactly compact and light. Plus, it is also extremely expensive and so if you are looking for a travel portrait lens that is much lighter, affordable, and capable of producing stunning bokeh, the Sony FE 85mm F1.8 is a much better option for you. - Source: Internet
• On a full-frame camera, an 85mm lens hits the bottom of the classic range figure, and with a 127.5mm angle of view equivalent on an APS-C 1.5x body, it stays in the ideal portrait range on this format well. - Source: Internet
• Sony FE 16-35mm f2.8 GM Lens: If you are looking for a lens to shoot beautiful landscapes and stunning architectures on your travel, the Sony FE 16-35mm F2.8 lens is really hard to beat. - Source: Internet
• A zoom lens is a more versatile option for shooting portraits. A 24-70mm lens or a longer telephoto lens are both handy tools to have in your kit. These lenses can be particularly useful when shooting portraits at an event. A long telephoto lens will provide the same flattering perspective as an 85mm prime, while a shorter 24-70mm lens can make it easier to flip between portraits and event details without having to carry a second Sony camera body. - Source: Internet
• Sigma chose to eschew some of the “normal” conventions (i.e. external focusing, no IBIS, etc.) with this lens to focus purely on the optics…and it shows. - Source: Internet
• The only real downside of this lens is that it’s not the cheapest thing in the world. With that said, given its top-notch video/image quality, travel-friendliness, and fast f/1.8 aperture, you definitely get incredible value for what you pay for. - Source: Internet
• The Sony FE 55mm f/1.8 ZA is a ridiculously sharp lens that will take your videos and photos to the next level. In fact, it’s one of the sharpest Sony lenses out there and delivers impeccable image/video quality. - Source: Internet
• If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the 90mm F2.8 Macro G OSS lens. I own this lens myself and love using it for macro work and the odd portrait. - Source: Internet
• The Sony FE 200-600mm F5.6-6.3 G OSS lens has not been out for very long but it’s already proving itself to be an exceptional telephoto lens for wildlife photographers. - Source: Internet
• For such a compact size and an affordable price point, it is hard to beat the Sony FE 85mm F1.8 lens when it comes to price-to-quality ratio. If you want to save some money, I highly recommend you go for the Sony 85mm F1.8 lens and use the money you saved to invest in other lenses instead. - Source: Internet
• Are there any size advantages then to owning a Sony A7iii compared to DSLRs? The answer is a resounding yes in both size reduction and the amount of space that you need to pack the camera body with a couple of lenses for casual outings. For example, when I first started shooting street photography I didn’t really bother carrying a camera bag a lot of the times for my Canon T3 Rebel DSLR. Maybe I’d take a backpack if I wanted to have my lenses along but my typical outing would only include the body paired with a prime lens like the 24mm or 50mm. The point I want to make is that it wasn’t ever feasible to have a small shoulder bag with extra lenses and accessories along with me because even the smallest of camera bags were bulky when packed with the body and a lens or two. But I can and almost always do carry my Sony A7iii in a small bag because it actually fits well and isn’t as bulky and a lot more easy on the shoulders. - Source: Internet
• As you could come to expect with the Sony GM lenses, the image quality produces with this lens is extremely sharp from corner to corner. Its F2.8 aperture allows you to use the lens in a low-light condition such as during the sunrise or sunset, as well as astrophotography. - Source: Internet
• If shooting in a studio with a background such as rolled paper and lighting with studio strobes, narrow apertures such as f/8 or f/11 will likely be in use, and all lenses have these options available. The sample portrait included at the top of this page was captured with a 135mm focal length and an f/1.4 aperture. The background is melting away, while a pleasing head and shoulders perspective has been captured. - Source: Internet
• Weighing a mere 281 g (10 oz.), this lens is also really small, lightweight, and easy to take everywhere. Autofocus is also very fast, reliable, and silent. - Source: Internet
• Well… I know, this is not a 35mm lens. I wish it were though, since 35mm are a bit more universal than 40mm and integrate better into many kits. I want my “35mm” to cover a wide range of applications with a focus on landscape and nature photography but I also want to use it to photograph people in different settings. I prefer to focus manually when I am taking nature images and I am competent enough to capture most social settings well with manual focus. - Source: Internet
• Sony Zeiss FE 16-35mm f/4 ZA OSS ($1,348): Excellent lens for landscape photography! For everyone from landscape professionals to those who want to just dabble in wide-angle photography, this Sony Zeiss FE 16-35mm f/4 is one of best FE-mount lenses: impressive sharpness, fast focusing, reasonable levels of distortion, and a weather-sealed build for protection from the elements. If you want a faster wide-angle lens, try the Sony FE 16-35mm f/2.8 GM lens. - Source: Internet
• A brand new G Master version of the 16-35 mm has just been released. With an aperture of f/2.8 and the image quality the G Master lenses are famous for, this lens is the absolute cream of the crop when it comes to wide-angle lenses for the Sony Alpha 7 series. - Source: Internet
• The lens focuses from infinity to 0.38m in roughly 0.5 seconds at 28mm focal length (1:10 magnification). - Source: Internet
• 🔮 If you’re interested in more portrait lenses, check out my review for the Sony FE 55mm F1.8 ZA. Though it has a shorter focal length, it’s great for environmental portraits, street photography, and top-notch videography. - Source: Internet
• The best part about this lens is its form factor. Sony called this lens the world’s lightest Full Frame F2.8 constant aperture standard zoom lens weighing only 690g which is unheard of for such a versatile lens. - Source: Internet
• This lens is also very lightweight, compact, and travel-friendly. Its mighty zoom range takes away the need to carry and swap between multiple lenses. Moreover, it has a tough and weather-resistant build. - Source: Internet
• In terms of focal length range, this lens is a direct competitor to the Sony 12-24 mm f/4. However, the Sigma is significantly faster with an aperture of f/2.8 and still only slightly heavier at around 795 grams. - Source: Internet
• Distagon – A design system Zeiss uses for its wide and ultra-wide angle, retrofocal lenses. These lenses are often heavy, as they are pretty complex. The Sony Zeiss Distagon T* FE 35mm F1.4 ZA is the only Distagon lens available for Sony E-mounts. - Source: Internet
• – If you genuinely want an all-in-one lens, then this is the option we recommend. It can take both wide-angle shots and telephoto images. The downside is that they’re bulky and the image quality it produces is often inconsistent. 70-200mm – This is a legitimate telephoto zoom lens that lets you take close-up shots. It’s also one of the cheapest you can buy that’s not a kit lens. - Source: Internet
• Sony FE 16-35mm f2.8 GM Lens: If you are looking for a lens for your Sony a7IV to shoot landscapes and architectures on your travel, the Sony FE 16-35mm F2.8 lens is really hard to beat. - Source: Internet
• And this lens certainly lives up to those demands. It can easily go toe to toe with the Sony 24 to 70 mm. Top image quality, fast, quiet, and slightly more compact and lighter than the Sony G Master. - Source: Internet
• The Sigma 70mm f/2.8 DG Macro Art is a lightweight and affordable macro lens that delivers impeccable, razor-sharp images. This lens offers exceptional value if you’re planning to capture detailed close-ups of flowers, food, and other medium-sized subjects. - Source: Internet
• The 35mm 2.8 is probably the best ouf of Tamron’s wide f/2.8 primes, but there are so many (faster) 35mm options available these days, it becomes somewhat hard to recommend unlike you really don’t need a lens faster than f/2.8. - Source: Internet
• The maximum size of the aperture of a lens – or f/number – determines how “fast” a lens is. Faster lenses let in more light, allowing you more wiggle room when working handheld in darker environments. They also allow you to photograph a narrower focus plane, putting your subject in focus while blurring everything in front and/or behind it. - Source: Internet
• Until recently I was just another student without any budget for expensive lenses, therefore I only have used one 35 mm lens so far. For now it still does the job. Stopped down sharpness is very good and distortion is low. - Source: Internet
• This lens will cover all the applications the Sony 24-70mm F2.8 lens can’t making it a great secondary lens to the all-around lens I recommended above. If you are looking for the best lens to shoot landscape/architecture, this is the best lens to buy. - Source: Internet
• So how fast does your lens need to be? If you chose a f/1.8 lens over a f/1.4 lens this will seldom make the difference between a good and a bad picture but it often is one important factor for the look of your images. Also keep in mind that the quality of the blur (bokeh) can be more important than the amount of blur. - Source: Internet
• Sony FE 20mm F1.8 G Lens: If you are looking for a lens to vlog your travel with your Sony a7IV, the Sony 20mm F1.8 G lens is a great lightweight lens that both perform extremely well while being reasonably priced, making it a perfect starter lens for to start your travel vlogging career. - Source: Internet
• Again needs are very different: If you do a lot of hiking you probably don’t want to carry the very heavy Sigma, but a slower, lighter lens. As a wedding photographer on the other hand performance will usually be more important than weight. Lenses also need to fit into your camera bag. - Source: Internet
• Sigma 85mm F1.4 DG DN Lens: I used to recommend the Sony FE 85mm f1.4 GM lens as it was the best portrait lens money can buy but that lens weighs like a little planet in your backpack which is not exactly a convenient lens to travel with but with the new Sigma 85mm F1.4 DG DN Lens, that changes everything. - Source: Internet
• Sony calls the lens “The ultimate portrait prime,” and it is hard to argue against that statement. I’ve used wide-aperture 85mm prime lenses for entire senior portrait shoots, and the results this combination provides are outstanding. There seems always to be enough ambient light to use this lens handheld. - Source: Internet
• Lenses made for full-frame cameras, on the other hand, have an image circle that’s larger than the APS-C sensor. As a result, full-frame (FE) lenses work just fine on an E-mount APS-C camera, though images will be considerably “zoomed in.” The camera will only show you the part of the image that the lens covers. - Source: Internet
• Nevertheless, the lens is an affordable starting point for getting into photography, especially when purchased in a kit. And its compact size really comes in handy when you’re traveling. The lens currently costs 380 euros on its own. That’s an okay price, but you can save even more money buying it in a kit. - Source: Internet
• The lens comes in only 173 grams and 43mm in length which makes it a perfect street lens to travel and carry around on your trip abroad. The aperture of F2.5 is fast enough for most situations and the focal length of 40mm is not too far from the recommended 35mm focal length for street photography. - Source: Internet
• When selecting a Sony lens for shooting portrait photos the first decision you’ll make is between a fixed-focal length lens or a zoom lens. Fixed-focal length lenses (also known as prime lenses) typically offer wider apertures than zoom lenses, making them a great choice for shooting in low light. That feature also allows shooters to create portrait photographs that are extremely sharp on the subject with a lovely defocused background. - Source: Internet
• If you are like me who likes to travel a lot in both nature and cities, I would get a combination of the Sony FE 24-70mm F2.8 lens as my main all-around lens, Sony FE 16-35mm F2.8 lens for shooting landscapes, and architectures, and the Sony FE 85mm F1.8 lens for incredible portraits of people around the world. - Source: Internet
• Sony FE 24-70mm f/2.8 GM Lens ($2,198): The best 24-70mm lens! The Sony FE 24-70mm F2.8 GM Zoom Lens is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting. To maximize usability this lens also features a dust/moisture resistant design, AF/MF switch, circular aperture, Nano AR coating, compact, a direct drive SSM (Super Sonic wave Motor) focusing system that is super smooth and quiet, making it an ideal choice for shooting both still images as well as movies. - Source: Internet
• Although telephoto primes are typically the gold standard for professional portrait shooters, a fast-aperture zoom is a versatile lens that is a great option for shooting portraits on the go. This 24-70mm has a constant aperture of f/2.8, a 9 blade circular aperture for beautiful bokeh and two aspherical elements to reduce aberration in images. The wider field of view makes this zoom lens an excellent choice for shooting portraits at events or on the street, but also a solid option for environmental portraits. - Source: Internet
• This lens from Samyang also has an unusual focal length with its 75 mm. 85 mm is more common for portrait lenses, but the 75 mm in combination with its aperture of f/1.8 is just as capable of producing a great background blur, so you can really make your subject stand out. - Source: Internet
• With a focal range roughly equivalent to 27-202mm on a full-frame camera, the Sony 18-135mm f/3.5-5.6 OSS is a perfect all-in-one lens for APS-C shooters who don’t do a lot of low-light photography or shots needing a shallow depth of field. - Source: Internet
• The Tamron 70-180mm f/2.8 Di III VXD is the best lower-priced alternative to the above-mentioned Sony 70-200mm f/2.8, and the top value f/2.8 telephoto zoom lens in the market. - Source: Internet
• Images come out highly detailed, with great color and contrast. In fact, few zooms at this price point can match the fine detail rendering (i.e., acuity) of this lens. - Source: Internet
• If the Tamron 28-75mm f/2.8 isn’t wide enough for you, your next best bet in the mid-range zoom category is the Sigma 24-70mm f/2.8 DG DN Art lens. - Source: Internet
• Before any short introduction we tell you how long we have used a lens and if we have borrowed it from a manufacturer. But in most cases we have bought the lenses new from retail stores or on the used market. If you want to support our independent reviews please consider using one of the affiliate links. It doesn’t cost you anything and helps us a lot. - Source: Internet
• The 45 mm is special because the focal length is rather unusual. The normal focal length for full-frame lenses is typically around 50 mm. In purely mathematical terms, however, 45 mm is closer to the field of vision of the human eye, making this lens an interesting alternative. - Source: Internet
• Sony cameras use either an A-mount or an E/FE-mount. A-mount lenses work with Sony DSLRs. Sony’s mirrorless cameras use the E-mount and/or FE-mount. - Source: Internet
• If you’re looking for more of a bargain and are comfortable with a manual-focus-only APS-C lens, you could always opt for either the 7Artisan 60mm f/2.8 Macro MK II (under $200) or the TTArtisan 40mm f/2.8 Macro (under $100). - Source: Internet
• When considering the price of a lens also look at the long term cost of it. A cheap $350 lens which breaks after 1 year of use costs you $350 for a year of use. A more expensive $600 lens you bought used that can be sold after a year for $550 costs you $50 for a year of use. And it was probably more enjoyable to use in that year. There is also an effect called “early adopter tax”: the value of newly released lenses usually depreciates rather quickly in the first year. - Source: Internet
• The only significant problem is the excessive bokeh fringing at f/1.8, which doesn’t honestly go away until the lens is stopped down to f/5.6. - Source: Internet
• Sony FE 24-70mm f2.8 GM II Lens: This is, hands down, the best lens you can get for travel for your Sony a7SIII cameras. The Sony FE 24-70mm F2.8 GM II lens is an updated version of the wildly popular but old Sony FE 24-70mm F2.8 GM lens (review) bringing new features and technologies to an all-purpose lens while keeping it light and small. - Source: Internet
• Sony FE 100mm f/2.8 STF GM OSS ($1,498): A unique 100mm mid-telephoto lens featuring STF (Smooth Trans Focus) technology that can elevate portraits and subjects that benefit from smooth background bokeh to new artistic heights while boasting G Master resolution. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. Built-in Optical SteadyShot image stabilization minimizes blur that can occur during low light or macro shooting. - Source: Internet
• I have reviewed a couple of AF 35mm lenses but usually they are annoying to focus manually and they lack nice sunstars and good flare resistance which I want for landscape images. So for know I stick with the 1.2/40 which is by far my most used lens but I still hope that one day there will be a Voigtlander 1.7/35 in E-mount which could be a bit more compact and be a bit sharper with nicer off-center bokeh. - Source: Internet
• Sony FE 24-70mm f2.8 GM II Lens: This is, hands down, the best lens you can get for travel for your Sony a7IV cameras. The Sony FE 24-70mm F2.8 GM II lens is an updated version of the wildly popular but old Sony FE 24-70mm F2.8 GM lens bringing new features and technologies to an all-purpose lens while keeping it light and small. - Source: Internet
• Let me be upfront about the size and form factor of this camera because there is a subset of street photographers who prefer small compact cameras like the Ricoh GR3. If you’re one of those shooters who wants a camera that can fit in your pocket to take anywhere just like your smartphone, then this camera isn’t for you. In fact, you can forget about any full frame mirrorless camera with interchangeable-lenses that are on the market as of 2022. - Source: Internet
• Sony FE 70-200mm f/4 G OSS ($1,498): The small size, versatile 35mm focal length, and outstanding overall performance of this lens make it an ideal match for compact 35mm full frame format E-mount bodies. This makes it useful for portraits and sports photography where you want to separate the subject from the background. It is as sharp as the f/2.8 version for less than half the cost, but not great when natural light is low. - Source: Internet
• The sharpness of this lens is superb, especially when stopped down to f/5.6. It also works superbly with Sony’s autofocus system. - Source: Internet

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